This book explores perceptions of toleration and self-identity through an analysis of otherness’ real experience of Italian travellers, Catholic missionaries and Maltese proto-journalists within Mediterranean border-spaces. Employing a multidisciplinary approach, which integrates the analysis of original and unpublished archival documentation with early modern European travel literature, the book shows how fluid subjects and border groups adapted to new environments, often generating information that made the Ottomans and their system of values real and dignified to an Italian audience. The interdisciplinary combining of historical methodology with the tools of comparative literature, anthropology and folklore studies provides a fresh perspective on concepts of tolerance as experienced in the early modern Mediterranean.

From the founding of the Ottoman dynasty by Osman Gazi to Suleyman the Magnificent's legendary territorial conquests, the legacy of the 36 Ottoman sultans has undeniably left its mark throughout the course of history. Featuring exquisite portraits and lavishly decorated caftans, this large-format volume beautifully presents imagery that speaks to the magnificence of the Ottoman Empire and its powerful sultans. AUTHOR: Professor Nurhan Atasoy completed her PhD in Fine Arts and Art History in 1962 at Istanbul University. She currently serves as the resident scholar at the Turkish Cultural Foundation, where she regularly gives lectures on Turkish art. Professor Atasoy is a founder and board member of the Association of the Museum of Painting and Sculpture in Istanbul; KÜSAV (Foundation for the Promotion and Preservation of Culture and Art Works); and TAÇ (Foundation for the Preservation of Monuments, Environment and Tourism in Turkey). She has lectured on Turkish and Islamic art at congresses throughout the world; curated international exhibitions; and has published over 100 articles and 22 books on the subject, including Iznik: Ottoman Pottery of Turkey, (1989); IPEK: Imperial Ottoman Silks and Velvets (2001); and Impressions of Ottoman Culture in Europe (2012). 74 illustrations

Altaic Studies deal with a group of languages (and respective cultures) that show obvious similarities: Turkic, Mongol and Manchu-Tungus. Whether they are really related or whether they just influenced each other remains a matter of scholarly discussion. The Permanent International Altaistic Conference (PIAC) was established in 1957 as a working group to further research on this issue. Annual meetings have since been taking place in different countries, and the respective proceedings offer a wealth of information on the Altaic languages and cultures. The 2016 meeting took place at Ardahan, Turkey, a new and modern university close to the borders of Georgia and Armenia; it covered a wide range of subjects of which a peer-reviewed selection is published in the present volume. The papers deal with an Old Turkic inscription, the Bâbur-nâma (memoirs of Bâbur), Crimean history, Uighur calligraphy, the modern role of the Kazakh language, the ancestor cult in Turkic traditions, administrative and state concepts in the 18th century Chinese imperial pentaglot dictionary (which includes Turki), an appreciation of Denis Sinor (1916-2011), celebrated Altaist and for many years secretary general of the PIAC, the publishing projects of the outstanding Lamaist scholar and politician Lalitavajra (Rol-pa'i rdo-rje) and several poetic travelogues in Mongolia. The editors are members of the PIAC: Barbara Kellner-Heinkele is Prof. emer. of Turkic Studies (Free University of Berlin) and secretary general of the PIAC, Oliver Corff is an independent scholar of Chinese Studies, Hartmut Walravens is retired from his positions at the Berlin State Library and as Director of the worldwide ISBN system.

Christian-Muslim Relations, a Bibliographical History 12 (CMR 12) covering the Middle East, South and Southeast Asia, Africa and the Americas in the period 1700-1800 is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and also the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 12, along with the other volumes in this series, is intended as a basic tool for research in Christian-Muslim relations. Section Editors: Clinton Bennett, Luis F. Bernabe Pons, Jaco Beyers, Emanuele Colombo, Karoline Cook, Sinéad Cussen, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Emma Gaze Loghin, Gordon Nickel, Claire Norton, Reza Pourjavady, Douglas Pratt, Radu Păun, Charles Ramsey, Peter Riddell, Umar Ryad, Mehdi Sajid, Cornelia Soldat, Karel Steenbrink, Ann Thomson, Carsten Walbiner

The Sultans of the Ottoman Dynasty ruled over a vast transcontinental empire for more than six centuries. Of the thirty-six Ottoman Sultans emerged extraordinary commanders, brilliant statesmen, highly talented sportsmen, masterful musicians, distinguished calligraphers, notable poets, and renowned composers. This book illustrates these men.

"From start to finish, this book is a visual delight. In 300 remarkably clear and vivid color photographs, the glories of this regal fabric are displayed by examples of its use in fashions and furnishings. The main focus of the book is silk fabrics from periods preceding the 14th century to the present in France, but actual gowns and textiles from France's museums and archives are shown as well. Whereas Phillipa Scott's The Book of Silk (LJ 1/94) gave a general history of silk from its origins in Asia, textiles historian Anquetil concentrates on Europe, especially the silk manufacturing centers of Tours and Lyon. There is so little, if any, duplication between the two books that collections specializing in textiles, fashion, or design really must have both. If more general collections can afford only one volume, then Anquetil's more deluxe Silk is highly recommended." --From Library Journal.