At the height of his art career, tormented Morton Fisk seals himself in the basement in nothing but briefs to sculpt enigmatic "Men with Chainsaw" figurines. Now Morton is dead of dehydration, and his daughter Frances is honoring his memory by seeking her own artistic muse. Transforming the bizarre into the sublime, author Laurie Foos has created a highly original satire.

James Joyce's 'JAMES JOYCE Premium Collection' is a literary masterpiece that encapsulates the essence of modernist writing. This collection includes his most iconic works such as 'Ulysses', 'A Portrait of the Artist as a Young Man', 'Dubliners', 'Chamber Music', and 'Exiles'. Joyce's avant-garde approach to narrative structure and stream of consciousness writing style sets him apart as a pioneer in the world of literature. Each work delves deep into the human psyche, exploring themes of identity, relationships, and the complexities of life in early 20th century Ireland. The rich tapestry of characters and intricate plotlines showcase Joyce's unparalleled storytelling ability and his profound understanding of the human condition. James Joyce, known for his meticulous attention to detail and innovative use of language, drew inspiration from his own experiences growing up in Dublin and his observations of society at the time. His dedication to capturing the complexities of human emotion and the nuances of everyday life is evident throughout his extensive body of work. Joyce's ability to challenge literary conventions and push the boundaries of storytelling makes him a truly unique and influential figure in the world of literature. I highly recommend 'JAMES JOYCE Premium Collection' to readers who appreciate intricate narratives, profound character development, and thought-provoking themes. This collection offers a comprehensive insight into Joyce's genius and is a must-read for anyone interested in exploring the depths of modernist literature.

From Lewis Carroll’s poem “The Walrus and the Carpenter” to the Beatles’s “I am the Walrus,” walruses have played an enigmatic role in popular culture. With their prominent tusks and distinctive whiskers, these odd-looking but charismatic animals have long held a crucial place in the lives and folklore of Arctic indigenous cultures, both as a vital food source and as a part of traditional oral literature. However, commercial trade of walrus products has caused the creatures to be hunted to the brink of extinction, with disastrous effects on human populations in the Arctic. Combining natural, cultural, and environmental history, Walrus explores the intriguing story of an animal that today is on the front lines of conservation debates. John Miller and Louise Miller describe the problems facing walruses even after the twentieth-century bans on nonindigenous walrus hunting—shrinking pack-ice caused by global warming and the exploitation of Arctic oil and gas resources are destroying the animal’s habitat. Wonderfully illustrated with images of walruses in the wild and from art and popular culture, Walrus offers a refreshing account of these large-flippered mammals while also illustrating the ethical dilemmas they embody, from the intensifying conflict between the developed world and indigenous interests to the impact of global warming on arctic animals.

What should medicine do when it can’t save your life? The modern healthcare system has become proficient at staving off death with aggressive interventions. And yet, eventually everyone dies—and although most Americans say they would prefer to die peacefully at home, more than half of all deaths take place in hospitals or health care facilities. At the End of Life—the latest collaborative book project between the Creative Nonfiction Foundation and the Jewish Healthcare Foundation—tackles this conundrum head on. Featuring twenty-two compelling personal-medical narratives, the collection explores death, dying and palliative care, and highlights current features, flaws and advances in the healthcare system. Here, a poet and former hospice worker reflects on death’s mysteries; a son wanders the halls of his mother’s nursing home, lost in the small absurdities of the place; a grief counselor struggles with losing his own grandfather; a medical intern traces the origins and meaning of time; a mother anguishes over her decision to turn off her daughter’s life support and allow her organs to be harvested; and a nurse remembers many of her former patients. These original, compelling personal narratives reveal the inner workings of hospitals, homes and hospices where patients, their doctors and their loved ones all battle to hang on—and to let go.

Say It Hot Volume II: Industrial Strength is a collection of essays on American poets, fiction writers, nonfiction writers, and issues of interest to artists and academics. A companion volume to Say It Hot, these essays are brutally honest and acutely intelligent. From the book: “Literary authors these days no longer make livings off their work. Their books are not to be found in bookstores, and the books are rarely printed by major New York publishing houses. No one reads their works except for other literary authors and the professors who are evaluating their tenure and promotion folders at the colleges and universities at which they are employed, and it’s a minor miracle if a literary book from a small press sells a thousand copies. Fiction writers from wealth write about writing or they write about the ridiculous “sufferings” of the rich. Fiction writers from the lower classes write about the primordial filth from which they’ve physically escaped but from which they’ll never mentally be able to leave behind. Like war veterans, people who’ve fought it out in the miasma of poverty and blue- collar hell can never get the stink out of their skins, try as they may. Just like people who haven’t been to war can spot vets who have, middle-class people and the rich can spot people who’ve grown up poor, no matter what their position in life or the quality of their designer suits. Those suits just don’t fit right, and the neckties make them fidget and sweat. What the well-heeled authors and the working-class writers have in common is that they’ve been trained not to pronounce moral judgment.”

A collection of personal writing exercises and commentary from some of today's best novelists, short story writers, and writing teachers, including Jill McCorkle, Amy Bloom, Robert Olen Butler, Steve Almond, Jayne Anne Phillips, Virgil Suarez, Margot Livesay, and more. What's the secret behind the successful and prolific careers of critically acclaimed novelists and short story writers Amy Bloom, Steve Almond, Jayne Anne Phillips, Alison Lurie, and others? Divine assistance? Otherworldly talent? An unsettlingly close relationship with the Muse? While the rest of us are staring at blank sheets of paper, struggling to come up with a first sentence, these writers are busy polishing off story after story and novel after novel. Despite producing work that may seem effortless, all of them have a simple technique for fending off writer's block: the writing exercise. In Now Write!, Sherry Ellis collects the personal writing exercises of today's best writers and lays bare the secret to their success. - In "The Photograph," Jill McCorkle divulges one of her tactics for handling material that takes plots in a million different directions; - National Book Award-nominee Amy Bloom offers "Water Buddies," an exercise for writers practicing their craft in workshops; - Steve Almond, author of My Life in Heavy Metal and Candyfreak, provides a way to avoiding purple prose in "The Five-Second Shortcut to Writing in the Lyric Register"; - and eighty-three more of the country's top writers disclose their strategies for creating memorable prose. Complemented by brief commentary from the authors themselves, the exercises in Now Write! are practical and hands-on. By encouraging writers to shamelessly steal proven techniques that have yielded books which have won National Book Awards, Pulitzers, and Guggenheim grants, Now Write! inspires the aspiring writer to write now.