A picture of deception . . . Annabelle Lawson knew nothing about the breathtaking stranger she met on the train—only that he'd make an ideal model for the budding young artist . . . and that she desired him more than she believed possible. But after she'd been seduced, she learned that she'd also been betrayed. The man she thought she loved was really Magnus Wallis—a scoundrel like his father before him, the loathed cousin of Annabelle's benefactor, the honorable Earl of Whitby. A landscape of love . . . No longer the naively romantic girl who would tumble for a rogue, Annabelle cannot avoid a reunion with the despicable Magnus, who wants to include her portraits in his new London gallery. She means to show him her coldest face—but upon seeing him again, her every intention melts from the heat of his touch. It is clear that Magnus still burns with love for her. But is he still the villain he once was, or can he be reformed into a man Annabelle can dare to love?

Honoria Keyes isn't the gawky, impressionable fifteen-year-old girl she was when she first met Simon Fairchild. Twelve years have passed, and she's a successful artist, enjoying her independence to the fullest. Simon has changed, too. Gone is the beautiful, gentle boy of Honoria's dreams. In his place is a dangerous, damaged man intent on avoiding human contact-and emotions. It would be unthinkable to fall for this difficult, wounded recluse. But then again, Honoria has never been one to do things the easy way ... Simon returned from Waterloo a bitter, broken shell of the man he once was. As if his scarred body and mind aren't bad enough, he's also financially dependent on his brother, the duke, while he convalesces. The duke's fondest wish is for Simon to marry and produce an heir-something Simon has no intention of doing. The one thing he never anticipated? All the unwanted feelings the lovely, talented, and infinitely intriguing Honoria would awaken in him ... Can Honoria and Simon heal the wounds of the past and build a life together? Or will their attempt at happily ever after end up a portrait of failure? Praise for Minerva Spencer's books: "Lovers of historical romance will be hooked on this twisty story of revenge, redemption, and reversal of fortunes." ★Publishers Weekly STARRED REVIEW of THE FOOTMAN "Spencer serves up an irresistible cocktail of smart characterization, sophisticated sensuality, and sharp wit-all while orchestrating her own clever spin on the popular bluestocking-and-rake trope." ★Booklist STARRED REVIEW of NOTORIOUS "Spencer's characterizations are nuanced and believable, and the passion between the protagonists scorches the pages. Readers will be hooked." ★Publishers Weekly STARRED REVIEW of THE MUSIC OF LOVE "Spencer's brilliant and original tale of the high seas bursts with wonderfully real protagonists, plenty of action, and passionate romance." ★Publishers Weekly STARRED REVIEW of BARBAROUS "Fans of Amanda Quick's early historicals will find much to savor." ★Booklist STARRED REVIEW "Sexy, witty, and fiercely entertaining." ★Kirkus STARRED REVIEW "[A] suavely sophisticated hero with sex appeal to spare, and a cascade of lushly detailed love scenes give Spencer's dazzling debut its deliciously fun retro flavor." ★Booklist STARRED REVIEW

Museum researcher Zelda Richardson is swept into the mystery surrounding artwork hidden from the Nazis during World War II. But Zelda's not the only one searching for the missing paintings - and her rival would kill to find them first...

"Most often, portrait miniatures were painted in watercolor on thin disks of ivory. They were sometimes worn as jewelry, sometimes framed to be viewed privately. Many were painted by specialists, although renowned easel artists - including Benjamin West, John Singleton Copley, and Charles Willson Peale - also created them to commemorate births, engagements, marriages, deaths, and other joinings or separations. The book traces the development of this exquisite art form, revealing the close ties between the history of the miniature and the history of American private life."--BOOK JACKET.

A large collection of stories where one of a pair of separated lovers retains a portrait or some other image of the absent beloved, all discussed with vivid intelligence and zestful appreciation for their emotional punch and tonal variety.

Selima Hill pictures her lover not only as a horse, but in 100 different ways - as an angel or a whale, a beetle or a sugar mouse. With a palette ranging from erotic blue to reckless red, her book presents 100 dangerously intimate portraits of love and longing, desire and desolation, jealousy and lust. These poems are raffish love riffs with hundreds of delicious images - whipped up into a lover's frenzy or hitting rock bottom when everything goes pear-shaped. Portrait of My Lover as a Horse is a book for anyone who didn't know poems could hit you where it hurts or where it feels just too good to be true.