Portable Prose: The Novel and the Everyday examines the novel as a privileged site for representing the everyday, as well as a physical object that occupies public and private space. This collection interrogates the relationships between these differing aspects of the novel’s existence, negotiating the boundaries between the material world, subjective experience, and strategies of representation. This collection offers a wide array of innovative novelistic explorations—with a focus ranging from nineteenth-century fiction to contemporary literary theory—and explores the portability of novels as both physical things and virtual hermeneutic devices. While mimetic qualities of prose remain an integral consideration for literary interpretation, this collection argues for more diverse frameworks—ones that see aesthetic components of the novel in close connection with reading practices, shared structures of feeling, and the corporeal. In this capacity, this volume will argue for readings of texts that consider the capacity for literary culture to move through the world, but also to make it or re-make it new.

Designed to mentor writers at all levels, from beginning to quite advanced, The Writer's Portable Mentor offers a wealth of insight and crafting models from the author's twenty-plus years of teaching and creative thought. The book provides tools for structuring a book, story, or essay. It trains writers in observation and in developing a poet's ear for sound in prose. It scrutinizes the sentence strategies of the masters and offers advice on how to publish. This second edition is updated to account for changes in the publishing industry and provides hundreds of new craft models to inspire, guide, and develop every writer's work.

This collection's title points to the underlying philosophy expressed in these poems: that earthly joy is, or ought to be, just within, but is often beyond our reach, denied by racism, misogyny, physical cruelty and those with the class power to deny others their share of worldly goods and pleasures.

Contains lessons on cross-platform software development, covering such topics as portability techniques, source control, compilers, user interfaces, and scripting languages.

Get the core knowledge of a prestigious MFA education without the tuition. Have you always wanted to get an MFA, but couldn't because of the cost, time commitment, or admission requirements? Well now you can fulfill that dream without having to devote tons of money or time. The Portable MFA gives you all of the essential information you would learn in the MFA program in one book. Covering fiction, memoirs, personal essays, magazine articles, poetry, and playwriting, this book provides you with: • Inspiration and tips on revision, stamina, and productivity • Clear instruction on the craft behind the art • Detailed reading lists to expand your literary horizons • Exercises to improve your writing endeavors By heeding the advice in The Portable MFA, you will gain the wisdom and experience of some of today's greatest teachers, all for just the price of a book.

The Crafty Poet: A Portable Workshop is a poetry tutorial designed to inform and inspire poets. It includes model poems and prompts, writing tips, and interviews with poets. Organized into ten sections, the book covers such concepts as Diction, Sound, Voice, and Imagery. It is geared towards the experienced poet as well as those just getting started and is ideal for individual use at home or group use in the classroom or workshop. Contributors include fifty-six of our nation's finest poets, thirteen of them current or former state poets laureate. Contributors: Kim Addonizio, JoAnn Balingit, Ellen Bass, Jan Beatty, Jeanne Marie Beaumont, Robert Bense, Pam Bernard, Michelle Bitting, Deborah Bogen, Kathryn Stripling Byer, Edward Byrne, Kelly Cherry, Philip F. Deaver, Bruce Dethlefsen, Caitlin Doyle, Patricia Fargnoli, Ann Fisher-Wirth, Amy Gerstler, Karin Gottshall, Jennifer Gresham, Bruce Guernsey, Marilyn Hacker, Jeffrey Harrison, Lola Haskins, Jane Hirshfield, Gray Jacobik, Rod Jellema, Richard Jones, Julie Kane, Adele Kenny, Dorianne Laux, Sydney Lea, Hailey Leithauser, Jeffrey Levine, Diane Lockward, Denise Low, Jennifer Maier, Marie-Elizabeth Mali, Jeffrey McDaniel, Wesley McNair, Susan Laughter Meyers, Bronwen Butter Newcott, Alicia Ostriker, Linda Pastan, Stanley Plumly, Vern Rutsala, Martha Silano, Marilyn L. Taylor, Matthew Thorburn, Lee Upton, Nance Van Winckel, Ingrid Wendt, Nancy White, Cecilia Woloch, Baron Wormser, Suzanne Zweizig An additional forty-five accomplished poets contributed sample poems inspired by the prompts in this book.

Luggage is an overlooked detail in the stock sketch of the expatriated modernist writer from the valise-fashioned desks of both James Joyce and Vladimir Nabokov to the lost manuscript-laden cases of Ernest Hemingway and Walter Benjamin. While the trope of modernist exile has long been spotlighted, little attention has been given to the material meaning of this condition. What things and objects do modernism's exiles and emigres carry with them and how does the act of carriage enter into the modernist picture more broadly? What are the implications and historical resonances of a portable outlook, particularly from the angles of gender, wartime conflict and character conception? Above all, how far does such an outlook impact upon artistic vision? Portability represents the simultaneous transportation and repudiation of domesticity and the home, those key frames of reference in the nineteenth-century novel. This book examines the multifarious ways in which the emergence of a modern culture of portability prompts a radical, if often problematic, departure from Victorian architectural conceptions of fiction towards more movable understandings of form and character.