Stephen King once said that books are portable magic. Ran Walker decided to take this phrase a bit more literally in his third short story collection, bringing to life vibrant new landscapes of both the strange and the familiar. A writer finds himself in a love triangle where one of the women is a ghost. A woman discovers that her cure for alopecia has unintended consequences. An artist paints a woman he has been dreaming about, only to discover his dreams might be closer to reality than he thought. A graduating senior learns the true value of sacrifice. A guy professes his love for his girlfriend through an overwhelming metaphor. A social media-focused couple welcomes the world into their adoption struggles. And a relationship is threatened when a childhood secret is revealed. In these seven stories, Walker paints a world where nothing is quite as it seems.

Twenty-three spellbinding tales of sorcery, wizardry and witchcraft, of the ceaseless battle between good and evil. From dark lords and epic clashes between the forces of good and evil to a child's struggle to control magical powers for the first time this wonderfully varied collection comprises stories by the most outstanding writers of fantasy: A. C. Benson, James Bibby, Marion Zimmer Bradley, Louise Cooper, Ralph Adams Cram, Peter Crowther, Esther M. Friesner, Tom Holt, Doug Hornig, Diana Wynne Jones, Michael Kurland, Tim Lebbon, Ursula K. Le Guin, Richard A. Lupoff, Michael Moorcock, John Morressy, Tim Pratt, David Sandner, Lawrence Schimel and Mike Resnick, Darrell Schweitzer, Clark Ashton Smith, Steve Rasnic Tem and Robert Weinberg.

Presents a poem celebrating the African-American experience and what it means to be part of a strong, proud, and free people.

A “daring, urgent, and transformative” (Brené Brown, New York Times bestselling author of Dare to Lead) exploration of Black achievement in a white world based on honest, provocative, and moving interviews with Black leaders, scientists, artists, activists, and champions. “I remember the day I realized I couldn’t play a white guy as well as a white guy. It felt like a death sentence for my career.” When Chad Sanders landed his first job in lily-white Silicon Valley, he quickly concluded that to be successful at work meant playing a certain social game. Each meeting was drenched in white slang and the privileged talk of international travel or folk concerts in San Francisco, which led Chad to believe he needed to emulate whiteness to be successful. So Chad changed. He changed his wardrobe, his behavior, his speech—everything that connected him with his Black identity. And while he finally felt included, he felt awful. So he decided to give up the charade. He reverted to the methods he learned at the dinner table, or at the Black Baptist church where he’d been raised, or at the concrete basketball courts, barbershops, and summertime cookouts. And it paid off. Chad began to land more exciting projects. He earned the respect of his colleagues. Accounting for this turnaround, Chad believes, was something he calls Black Magic, namely resilience, creativity, and confidence forged in his experience navigating America as a Black man. Black Magic has emboldened his every step since, leading him to wonder: Was he alone in this discovery? Were there others who felt the same? In “pulverizing, educational, and inspirational” (Shea Serrano, #1 New York Times bestselling author of Basketball (And Other Things)) essays, Chad dives into his formative experiences to see if they might offer the possibility of discovering or honing this skill. He tests his theory by interviewing Black leaders across industries to get their take on Black Magic. The result is a revelatory and essential book. Black Magic explores Black experiences in predominantly white environments and demonstrates the risks of self-betrayal and the value of being yourself.

Black Magic looks at the origins, meaning, and uses of Conjure—the African American tradition of healing and harming that evolved from African, European, and American elements—from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America. As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.

Focused on the field of knowledge lying between digital and analog circuit theory, this new text will help engineers working with digital systems shorten their product development cycles and help fix their latest design problems. The scope of the material covered includes signal reflection, crosstalk, and noise problems which occur in high speed digital machines (above 10 megahertz). This volume will be of practical use to digital logic designers, staff and senior communications scientists, and all those interested in digital design.