Explores the history and social aspects of pornography, discussing how it is made and distributed, its popularity and effect on modern culture, its influence on attitudes and crime, and current laws legislating the industry.

Pornography’s impact on transnational models of media aesthetics and governance has been well documented from a Euro-American perspective. This book contributes to the field of pornography studies by rethinking the cultural impact of pornography as audio-visual and online media from an East Asian perspective. It focuses on pornographies made and consumed in and across Japan, Korea, China, and Hong Kong. The chapters examine under-reported East Asian cultures of pornography, not only to uncover phenomena from within this region but also to challenge and fine-tune existing academic research networks and paradigms. This book proposes that the lived experience of producing and consuming various pornographies throughout East Asia may extend, nuance, challenge, or even affirm the dominant Euro-American understandings of pornography that are becoming increasingly axiomatic within pornography studies as an emerging interdisciplinary field of study. This book was originally published as a special issue of the journal Porn Studies.

South Asian Pornographies is the first consolidated volume that explores the relationships between pornography, obscenity, law and desire in South Asia. Focusing on case studies from India, Sri Lanka and Bangladesh while gesturing towards other countries in South Asia, the authors of this volume come from fields as varied as history, literature, media and communication, and the visual arts. The book proposes that as a geo-political location, South Asia has a unique relationship to pornography, given the multiplicity of cultural and legal-censorial regimes that define the obscene and the permissible. South Asian case studies can demonstrate how pornography in the region is often defined in oblique terms, finding reflection in various modes of popular (and sometimes underground) culture, bypassing legal and censorial constraints. Like questions of identity that can only be answered in the plural (identities rather than identity), this book demonstrates how a range of pornographies constitutes the force field of sexualized media in South Asia. It will be of interest to researchers and advanced students of Communication Studies, Cultural Studies, Film Studies, History, Sociology, and Social and Cultural Anthropology. The chapters in this book were originally published in the journal Porn Studies.

Andrea Dworkin’s 1981 critique of pornography is an important and urgent document about how the culture consumes and manipulates images of women. Essential and discomfiting reading in a social media era, where women’s bodies are being commodified and displayed more than ever. Andrea Dworkin’s seminal 1981 work on the issue of pornography argues that the industry serves only to harm and oppress women. Her discussion of pornography as an outgrowth of the power that men exert over women—the power of owning, the power of money, and the power of sex, among others—still blazes with its clarity and immediacy, and illustrates how these inequities, while displayed in raw form in pornography, are endemic in all media. With a lively and deeply compelling voice, Andrea Dworkin succinctly outlines her anti-pornography stance. Though the media environment may have changed, this passionately and powerfully argued classic remains a relevant and crucial contribution to the area of feminist studies.

Is there any hope for men and women in the "voluntary slavery" of pornography addiction? Deepak Reju shows that this worship problem can be fought only with a greater love for Christ. This month-long devotional, with reflection questions and practical suggestions for action, gives you the encouragement and resources von need to fight in the war being waged for your soul every day. Book jacket.

Pornography is powerful. Our contemporary culture as been pornified, and it shapes our assumptions about identity, sexuality, the value of women and the nature of relationships. Countless Christian men struggle with the addictive power of porn. But common spiritual approaches of more prayer and accountability groups are often of limited help. In this book neuroscientist and researcher William Struthers explains how pornography affects the male brain and what we can do about it. Because we are embodied beings, viewing pornography changes how the brain works, how we form memories and make attachments. By better understanding the biological realities of our sexual development, we can cultivate healthier sexual perspectives and interpersonal relationships. Struthers exposes false assumptions and casts a vision for a redeemed masculinity, showing how our sexual longings can actually propel us toward sanctification and holiness in our bodies. With insights for both married and single men alike, this book offers hope for freedom from pornography.

A masterwork of feminist ideology, brilliantly exposing pornography as the antithesis of free expression and the enemy of liberty In this powerful and devastating critique, poet, philosopher, and feminist Susan Griffin exposes the inherent psychological horrors of pornography. Griffin argues that, rather than encouraging expression, pornographic images and the philosophies that support them actually stifle freedoms through the dehumanization, subjugation, and degradation of female subjects. The pornographic mindset, Griffin contends, is akin to racism in that it causes dangerous schisms in society and promotes sexual regression, fear, and hatred. This violent rift in Western culture is explored by examining the lives of six notable individuals across two centuries: Franz Marc, the Marquis de Sade, Kate Chopin, Lawrence Singleton, Anne Frank, and Marilyn Monroe. The result is an extraordinary new approach to evaluating sexual health and the parameters of erotic imagination. Griffin reveals pornography as “not a love of the life of the body, but a fear of bodily knowledge, and a desire to silence Eros.”