A couple years back, I was at the Phoenix airport bar. It was empty except for one heavy-set, gray bearded, grizzled guy who looked like he just rode his donkey into town after a long day of panning for silver in them thar hills. He ordered a Jack Daniels straight up, and that's when I overheard the young guy with the earring behind the bar asking him if he had ID. At first the old sea captain just laughed. But the guy with the twinkle in his ear asked again. At this point it became apparent that he was serious. Dan Haggerty's dad fired back, "You've got to be kidding me, son." The bartender replied, "New policy. Everyone has to show their ID." Then I watched Burl Ives reluctantly reach into his dungarees and pull out his military identification card from World War II. It's a sad and eerie harbinger of our times that the Oprah-watching, crystal-rubbing, Whole Foods-shopping moms and their whipped attorney husbands have taken the ability to reason away from the poor schlub who makes the Bloody Marys. What we used to settle with common sense or a fist, we now settle with hand sanitizer and lawyers. Adam Carolla has had enough of this insanity and he's here to help us get our collective balls back. In Fifty Years We'll All Be Chicks is Adam's comedic gospel of modern America. He rips into the absurdity of the culture that demonized the peanut butter and jelly sandwich, turned the nation's bathrooms into a lawless free-for-all of urine and fecal matter, and put its citizens at the mercy of a bunch of minimum wagers with axes to grind. Peppered between complaints Carolla shares candid anecdotes from his day to day life as well as his past—Sunday football at Jimmy Kimmel's house, his attempts to raise his kids in a society that he mostly disagrees with, his big showbiz break, and much, much more. Brilliantly showcasing Adam's spot-on sense of humor, this book cements his status as a cultural commentator/comedian/complainer extraordinaire.

A Companion to Rainer Werner Fassbinder is the first of its kind to engage with this important figure. Twenty-eight essays by an international group of scholars consider this controversial director's contribution to German cinema, German history, gender studies, and auteurship. A fresh collection of original research providing diverse perspectives on Fassbinder’s work in films, television, poetry, and underground theatre. Rainer Werner Fassbinder remains the preeminent filmmaker of the New German Cinema whose brief but prolific body of work spans from the latter half of the 1960s to the artist’s death in 1982. Interrogates Fassbinder’s influence on the seminal ideas of his time: auteurship, identity, race, queer studies, and the cataclysmic events of German twentieth century history Contributions from internationally diverse scholars specializing in film, culture, and German studies. Includes coverage of his key films including: Gods of the Plague (1970), Beware of a Holy Whore (1971), The Bitter Tears of Petra von Kant (1972), Martha (1973) (TV), World on a Wire (1973), Effi Briest (1974), Ali: Fear Eats the Soul (1974), Fox and His Friends (1975), Fear of Fear (1975), Chinese Roulette (1976), In a Year With 13 Moons (1978), Despair (1978), The Third Generation (1979), Berlin Alexanderplatz (1980) (TV), and Querelle (1982).

Facing life imprisonment, Jagger Redheaded Negro Zuma, who has an abnormal head of red hair, discovers that he can leave Sing Sing Correctional Facility and explore his surroundings. Now free from his cell, this dangerous criminal ventures into the world beyond the walls of one of Americas most notorious prisons. With Jagger free to roam among New Yorks general population, we fear that killing is not the only act that he is capable ofOutside.

Johnny Ryan's hilariously profane sketchbook, as originally seen on Ryan's influential @outlawscumfudge collected.

Over the past decade geographers have shown a growing interest in 'the body' as an important co-ordinate of subjectivity and as a way of understanding further relationships between people, place and space. To date, however geographers have published little on what is one of, if not the, most important of all bodies - bodies that conceive, give birth and nurture other bodies. It is time that feminist, social, and cultural geographers contributed more to debates about maternal bodies. This book offers a series of windows on the ways in which maternal bodies influence, and are influenced by, social and spatial processes. Topics covered include women ‘coming out’ as pregnant at work, changing fashion for pregnant women, being disabled and pregnant, the politics of home versus hospital birth, breastfeeding practices that sit outside the norm, women who are constructed as ‘bad’ mothers, and ‘e-mums’ (mothers who go on-line).

This book gives readers an accessible and comprehensive understanding of how anxiety, stress, and pressure can have a profound impact on pleasure, connection, and sexual functioning, offering practical tips and techniques for resolving common sexual struggles. Anxiety can influence a multitude of aspects that make us who we are, changing how we move through, make meaning of, and interact with the world around us. Paula Leech begins by defining anxiety and how it affects our physiology before guiding readers to identify some of the primary sources of anxiety in their lives, such as family, gender, culture, religion, relationship dynamics, and sexual trauma. Encouraging clients to take responsibility, she offers alternative ways of conceptualizing and defining sex, sexuality, sexual values, and a client’s ongoing sexual development as a way of addressing some of the emotional, social, and psychological barriers to intimacy. Practical and engaging, this book includes mindfulness and embodiment exercises to help clients release stored tension, work through specific sexual struggles and “dysfunctions,” and deepen their connections with their body. This guide is essential reading for established and training sex therapists as well as for those who experience anxiety-based sexual challenges with their partner.

Forty year old Linda is greatly attracted to Jack, her angel-faced 18 year old lodger. Not only is he extremely good looking, he’s a caring young man – and a shy one. She flirts with idea of relationship with her young boarder, but if hopes for a relationship with him, she’ll need to seduce him. Snooping around on his computer, she learns that Jack watches perverted porn videos where men use and abuse women. She’s alarmed at first, but her desire for him is too strong to stop her planned seduction. Afraid of losing him to the younger women who are after him too, she dives into his depraved sexual world, going further and further down the rabbit hole of his fantasies to keep him interested. She becomes willing to do humiliating and degrading sexual acts just to please him. But is her perception of Jack correct? Is this what he really wants? she wonders, as she discovers there is an unexpected side to Jack’s character she didn’t suspect.