In a Roman fort in Wales at the turn of the sixth century, Porius, the son of a reigning prince, is aided by Merlin the magician, Nineue, and Medrawd in a battle for cultural survival.

The Cottage resides within the forest of Kent, England. Porius, an ancient wizard and naturalist, joins forces with mystical families and heroes. Together they work and battle to preserve the natural world against the rapid growth of mankind—discovering ancient relics, magical spells, unusual places, and mystical creatures as their goal is to protect and make a better future for planet earth.

From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could—and should—be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and Colin Ward to the war in Iraq, this challenging volume will energize leftist movements throughout the world.

A unique exploration of how anarchist philosophy and practice has inspired some of the English language's most revered, and reviled, authors.

This work is a collection of essays on the work of John Cowper Powys, the English novelist and Nobel nominee. The critical intention of these essays is to provide a picture of Powys's achievement.

Mid-Century Romance chronicles a revival of the historical novel chronicles a revival of the historical novel in the middle decades of the twentieth century in the cultures of British modernism and international communism. Born of a national turn in world politics, these novels met the turbulence of mid-century history with narratives of national becoming, roadmaps to situate their readers in the pattern of social change. Their writers were often mindful of the genre's romantic-era heritage: they saw themselves as following in the footsteps of Sir Walter Scott and they drew on the same rescued remains of primitive poetry and popular antiquities that romanticism first used to construct its versions of national identity, culture, and tradition. This book shows how the impulse to salvage traces of ancestral culture and press them to new purpose links the mid-century national-historical novel to the rise of radical social history and magical realism. Post-war anticommunism shaped a tradition of the novel as a preserve of art and the individual. Mid-Century Romance counters with a different genealogy of the British and world novel, whose object is society and the future of community, the nation and its people. It situates its cast of British writers--including the modernists Hope Mirrlees and Virginia Woolf, the communists Jack Lindsay and Sylvia Townsend Warner, the eccentric modernist and sometime fellow traveller John Cowper Powys, and the New Left luminary Raymond Williams--in a transnational perspective that reaches from Bihar, India to Bahia, Brazil.

This book examines how the French invention and the Scottish re-invention of historical fiction prepared the genre's popularity during the nineteenth and twentieth centuries.