This book is the first systematic investigation of how and why Sufism became extraordinarily popular across Egypt in the 12th - 14th centuries.

In the 12th 14th centuries, Sufism ('Islamic mysticism') became extraordinarily popular across Egypt. Elites and non-elites, rulers and ruled, the wealthy and the poor, even Jews, all embraced a variety of Sufi ideas and practices. This book is the first systematic investigation of how and why this popularisation occurred. It surveys several Sufi groups, from different regions of Egypt, and details how each of them promulgated, performed, and popularised their specific Sufi doctrines and practices. This popularisation would have a profound impact on the Egyptian religious landscape and on the subsequent history of Islam more broadly.

A Sufi scholar’s philosophical interpretation of the names of God The Divine Names is a philosophically sophisticated commentary on the names of God. Penned by the seventh-/thirteenth-century North African scholar and Sufi poet ʿAfīf al-Dīn al-Tilimsānī, The Divine Names expounds upon the one hundred and forty-six names of God that appear in the Qurʾan, including The All-Merciful, The Powerful, The First, and The Last. In his treatment of each divine name, al-Tilimsānī synthesizes and compares the views of three influential earlier authors, al-Bayhaqī, al-Ghazālī, and Ibn Barrajān. Al-Tilimsānī famously described his two teachers Ibn al-ʿArabī and al-Qūnawī as a “philosophizing mystic” and a “mysticizing philosopher,” respectively. Picking up their mantle, al-Tilimsānī merges mysticism and philosophy, combining the tenets of Akbarī Sufism with the technical language of Aristotelian, Neoplatonic, and Avicennan philosophy as he explains his logic in a rigorous and concise way. Unlike Ibn al-ʿArabī, his overarching concern is not to examine the names as correspondences between God and creation, but to demonstrate how the names overlap at every level of cosmic existence. The Divine Names shows how a broad range of competing theological and philosophical interpretations can all contain elements of the truth. A bilingual Arabic-English edition.

Visualizing Sufism approaches the question of the presence of graphic materials in Islamic mystical literature from a broad and comprehensive perspective. To this goal, an international group of specialists in the field worked on largely manuscript and unpublished sources with the aim of analyzing the use of visual elements in the works of some key figures of Islamic mysticism—Ibn al-ʿArabī, Aḥmad al-Būnī, Saʿd al-Dīn Ḥamūyeh, al-Shaʿrānī—, and in intellectual networks—Ḥurūfiyya and Bektashiyya, Shīrīn Maghribī and his connections. The result is the most extensive collection of specimens of Sufi graphic materials ever brought together and discussed in a single volume. By virtue of the object of study investigated in the chapters of this book, in addition to the history of Sufism, questions are raised that touch upon numerous areas in the field of Islamic Studies, including intellectual history, codicology, and art history. Contributors Elizabeth R. Alexandrin, Noah Gardiner, Ali Karjoo-Ravary, Evyn Kropf, Giovanni Maria Martini, Orkhan Mir-Kasimov, and Sophie Tyser.

This volume describes the social and practical aspects of Islamic mysticism (Sufism) across centuries and geographical regions. Its authors seek to transcend ethereal, essentialist and “spiritualizing” approaches to Sufism, on the one hand, and purely pragmatic and materialistic explanations of its origins and history, on the other. Covering five topics (Sufism’s economy, social role of Sufis, Sufi spaces, politics, and organization), the volume shows that mystics have been active socio-religious agents who could skillfully adjust to the conditions of their time and place, while also managing to forge an alternative way of living, worshiping and thinking. Basing themselves on the most recent research on Sufi institutions, the contributors to this volume substantially expand our understanding of the vicissitudes of Sufism by paying special attention to its organizational and economic dimensions, as well as complex and often ambivalent relations between Sufis and the societies in which they played a wide variety of important and sometimes critical roles. Contributors are Mehran Afshari, Ismail Fajrie Alatas, Semih Ceyhan, Rachida Chih, Nathalie Clayer, David Cook, Stéphane A. Dudoignon, Daphna Ephrat, Peyvand Firouzeh, Nathan Hofer, Hussain Ahmad Khan, Catherine Mayeur-Jaouen, Richard McGregor, Ahmet Yaşar Ocak, Alexandre Papas, Luca Patrizi, Paulo G. Pinto, Adam Sabra, Mark Sedgwick, Jean-Jacques Thibon, Knut S. Vikør and Neguin Yavari

Saintly Spheres and Islamic Landscapes explores the creation, expansion, and perpetuation of the material and imaginary spheres of spiritual domination and sanctity that surrounded Sufi saints and became central to religious authority, Islamic piety, and the belief in the miraculous.

This volume is a collection of research essays submitted by fellows of the Annemarie Schimmel Kolleg, an Advanced Center of Research in Mamluk Studies. It covers three themes, which correspond to the research agenda of the final three academic years of the Annemarie Schimmel Kolleg. These were: environmental history, material culture studies, and im/mobility. The aim of the contributions is to overcome the disciplinary boundaries of the field and to engage in scholarly debates in Ottoman Studies, European history, archae-ology and art history, and even the natural sciences.