"Our culture embraces the skull: apparel and products with skulls abound. Popular Skullture features the oddest, creepiest, and weirdest skull covers from 1930s to mid-'50s comics, pulps, and paperbacks."--

Consumers embrace the skull: Nike, Calvin Klein, Zippo, and Crystal Head Vodka feature them as product lines. Skulls adorn artwork, sneakers, candy, skateboards, jewelry, and even wallpaper. The skull is everywhere in pop culture! Never before has a book addressed the skull as a cover motif during the Golden Age of American publishing. Countless skull-themed comic book, pulp, and paperback covers appeared from the 1930s through the mid-50s. Popular Skullture assembles over 160 of the creepiest, oddest, and downright weirdest skull covers, edited and designed by award-winning art director Monte Beauchamp--with an introduction by graphic design luminary Steven Heller.

Highlights the role of anthropologists in revealing the histories and contemporary social facts that are reflected in dead bodies.

Memento mori is a broad and understudied cultural phenomenon and experience. The term “memento mori” is a Latin injunction that means “remember mortality,” or more directly, “remember that you must die.” In art and cultural history, memento mori appears widely, especially in medieval folk culture and in the well-known Dutch still life vanitas paintings of the sixteenth and seventeenth centuries. Yet memento mori extends well beyond these points in art and cultural history. In Death in Documentaries: The Memento Mori Experience, Benjamin Bennett-Carpenter suggests that documentaries are an especially apt form of contemporary memento mori. Bennett-Carpenter shows that documentaries may offer composed transformative experiences in which a viewer may renew one’s consciousness of mortality – and thus renew one’s life.

"The image of the human skull is a universal icon, common throughout human civilization since time immemorial. "Skullture" takes a comprehensive approach to portraying how the image manifests in contemporary art, design and popular culture. This analysis includes visual and conceptual considerations of the skull throughout history, connecting the dots between Aztec religious iconography, Punk Rock and eighteenth century funerary practices without ever losing sight of the fact that, while fashion my change, the skull remains the same. "Skullture" presents diverse aesthetic uses of the skull as well as its various cultural resonances throughout all disciplines of art and design."--Back cover.

Boxer Steve Costigan drearily waking in Yu Shantu's Temple of Dreams, a hashish den in the city of London, England. He has been re-occurring dreams of something he calls "Skull Face", and is puzzled about their meanings. He is broke, and in need of more hashish, the drug he is addicted to. When confronted by the doorman, Hassim, Costigan informs him of his lack of funds. Hassim promptly throws him out through the front door to the den. Bruised and bleeding, Costigan is helped to his feet by a young woman, Zulieka.