"Included are authors, both living and dead, who were active in the early 1960s or later and remain popular in the mid-1990s ... representing several fiction and nonfiction categories, including poets, short-story writers, biographers, and other niche authors."--Page xi

Moving back and forth in American history, a kaleidoscopic novel follows Hailey and Sam, two wayward teenagers, as they crash New Orleans parties, barrel up the Mississippi, head through the Badlands, and take on other adventures.

In her new collection of essays, Cynthia Ozick, everywhere acclaimed as a critic, novelist, and storyteller, examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. She writes--quarrelsomely--about Crime and Punishment, about William Styron's Sophie's Choice, about the Book of Job. She inquires into the subterranean dispositions and quandaries of Kafka and Henry James. She discusses the difficulties inherent in the translation of great books, whether into film or into another language. She explores what she calls "the selfishness of art" and courts controversy with her views on The Diary of Anne Frank and its transformation for the stage. Her reflections on the "rights of history" and the "rights of imagination" tap a profound concern for truth in regard to the Holocaust. She considers the shifting splendors of New York City, past and present. And she revisits her youth more deeply and with more feeling--and comedy--than ever before, in essays that reveal some of the formative experiences of her life as a writer. Quarrel & Quandary is a literary event and a cause for celebration.

Since the publication and cinematic success of 1992's Along Came a Spider, James Patterson seems to have taken up permanent residence on the bestseller lists. In the ensuing decade, his hit detective novels, with memorable nursery rhyme titles like Cat and Mouse, (1997) and Pop! Goes the Weasel (1999), came in rapid-fire succession and generated similar popularity and praise. His Alex Cross series created one of the most recognizable detectives in literature, and one of the first urban African American detectives to appeal, on such a grand scale, to audiences of all demographics. With full literary analyses of ten of his most popular works of fiction, this critical companion offers readers a chance to more fully explore Patterson's writings. Beginning with his 1976 bestseller The Thomas Berryman Number and moving chronologically to 2002's 2nd Chance, each chapter examines elements of plot, character development, theme, and critical perspectives. A full chapter offers a delving biographical study of Patterson, including a brief timeline, that traces his early literary and personal interests and later professional achievements. Another chapter discusses the genres of detective and mystery writing, and situates Patterson 's contributions within this framework. Patterson's sociological writings are also considered. Whether for personal pursuits or school assignments, this volume provides ample insight and extensive bibliographic information on Patterson's work, including critical sources and reviews.

The English-language debut of Hiroko Oyamada—one of the most powerfully strange young voices in Japan The English-language debut of one of Japan's most exciting new writers, The Factory follows three workers at a sprawling industrial factory. Each worker focuses intently on the specific task they've been assigned: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. But their lives slowly become governed by their work—days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while—it could be weeks or years—the three workers struggle to answer the most basic question: What am I doing here? With hints of Kafka and unexpected moments of creeping humor, The Factory casts a vivid—and sometimes surreal—portrait of the absurdity and meaninglessness of the modern workplace.

Britain's most important contemporary authors reflect intelligently and imaginatively on the nature and development of the modern novel.

Writing Across Worlds brings together a selection of interviews with major international writers previously featured in the pages of the magazine. Conducted by a wide constituency of distinguished critics, writers and journalists, the interviews offer a unique insight into the views and work of a remarkable array of acclaimed authors. They also chart a slow but certain cultural shift: those once seen as 'other' have not only won many of the establishment's most revered literary prizes but have also become central figures in contemporary literature, writing across and into all our real and imagined worlds. With an introductory comment by Susheila Nasta, editor of Wasafiri, this collection is essential reading for all those interested in contemporary literature. Authors interviewed include: Chinua Achebe, Ama Ata Aidoo, Monica Ali, Amit Chaudhuri, David Dabydeen, Bernadine Evaristo, Maggie Gee, Lorna Goodison, Nadine Gordimer, Abdulrazak Gurnah, Wilson Harris, Keri Hulme, Kazuo Ishiguro, Jackie Kay, Jamaica Kincaid, Maxine Hong Kingston, George Lamming, Rohinton Mistry, V.S. Naipaul, Ngugi wa Thiong'o, Michael Ondaatje, Caryl Phillips, Joan Riley, Salman Rushdie, Nayantara Sahgal, Sam Selvon, Vikram Seth, Zadie Smith, Wole Soyinka, Moyez Vassanji, Marina Warner.