Alexander Pope (1688-1744) was the greatest English poet of his age, whose acerbic insights into human nature have entered the language, and whose verse still astonishes with its energy and inventiveness centuries after his death. This new selection of Pope's work follows the path of his poetic genius over his lifetime. It contains early poems including the masterly mock-epic 'The Rape of the Lock', which satirizes a notorious society scandal through glorious heroic couplets, the brilliantly aphoristic 'An Essay on Criticism' and excerpts from his translation of the Iliad. Later poems represented include Pope's ironic adaptations of Horace's Epistles, Satires and Odes, and the remarkable 'Dunciad', a stinging attack on his literary rivals and the mediocrity of Grub Street hacks. Here too are selected prose works and letters from Pope to his contemporaries such as John Gay and Jonathan Swift.

Marcantonio Colonna's The Dictator Pope has rocked Rome and the entire Catholic Church with its portrait of an authoritarian, manipulative, and politically partisan pontiff. Occupying a privileged perch in Rome during the tumultuous first years of Francis’s pontificate, Colonna was privy to the shock, dismay, and even panic that the reckless new pope engendered in the Church’s most loyal and judicious leaders. The Dictator Pope discloses that Father Mario Bergoglio (the future Pope Francis) was so unsuited for ecclesiastical leadership that the head of his own Jesuit order tried to prevent his appointment as a bishop in Argentina. Behind the benign smile of the "people's pope" Colonna reveals a ruthless autocrat aggressively asserting the powers of the papacy in pursuit of a radical agenda.

A fascinating and enlightening look at the world’s oldest and most mysterious institution, written by an American journalist with unparalleled knowledge about the Vatican's past and present. The sexual abuse scandals that shook American and British Catholicism in 2002 brought to light a long-standing cultural gap between the English-speaking Catholic world and the Vatican. In Rome, the crisis was often seen as an attack on the Church mounted by money-hungry lawyers, a hostile press, and liberal activists who used it as a way to turn attention on such concerns as celibacy, women’s ordination, and lay empowerment. When the Vatican struck down the U.S. bishops’ draft for handling allegations of sexual abuse, many saw it as an attempt to curb an independent American Catholic church. Yet, as time passed, it became clear that the Vatican’s well-founded concerns about due process were shared by most liberal U.S. bishops and canon lawyers. ALL THE POPE’S MEN is a lucid, in-depth guide to the sometimes puzzling, often incomprehensible inner workings of the Vatican. It reveals how decisions are made, how papal bureaucrats think, and how careers in the Roman Curia are shaped. It debunks the myths that have fed the distrust and suspicions many English-speaking Catholics harbor about the way the Vatican conducts its business, explains who really wields the power, and offers entertaining profiles of the personalities, historical and present-day, who have wielded that power for good and for bad. A thoughtful analysis of the recent sexual abuse crisis sheds light on how the Vatican perceives the Church in the United States. Balanced, lively, and filled with Vatican history and lore, ALL THE POPE’S MEN provides the general reader with an authoritative picture of the highly charged relationship between the Vatican and the richest, most influential national Catholic church in the world today.

Written in 1727, The Art of Sinking in Poetry was one of Alexander Pope's contributions to the literary output of the legendary Scriblerus club - a circle of writers dedicated to mocking what they perceived as a culture of mediocrity and false learning prevalent in the arts and sciences of their day. Taking the form of an ironic guide to writing bad verse, Pope's tongue-in-cheek essay is wickedly funny in its lampooning of various pompous poetasters, as well as being essential reading for any budding writer wishing to avoid sinking to the unintentionally ridiculous, and instead reach for the sublime.

On 28 February 2013, a 600-year-old tradition was shattered: the conservative Pope Benedict XVI made a startling announcement. He would resign. Reeling from the news, the College of Cardinals rushed to Rome to congregate in the Sistine Chapel to pick his successor. Their unlikely choice? Francis, the first non-European pope in 1,200 years, a one time tango club bouncer, a passionate football fan, a man with the common touch. From the prize-winning screenwriter of The Theory of Everything and Darkest Hour, The Pope is a fascinating, revealing and often funny tale of two very different men whose destinies converge with each other - they both live in the Vatican - and the wider world. How did these two men become two of the most powerful people on Earth? What's it like to be the Pope? What does the future hold for the Catholic Church and its 1 billion followers? The Pope is a dual biography that masterfully combines these two popes' lives into one gripping narrative. From Benedict and Francis' experiences of war in their homelands - when they were still Joseph and Jorge - and the sexual abuse scandal that continues to rock the Church to its foundations, to the intrigue and the occasional comedy of life in the Vatican, The Pope glitters with the darker and the lighter details of life inside one of the world's most opaque but significant institutions.

Insights from the world's newest spiritual leader on everything from forgiveness and faith to mercy and money, from prayer and parenting to tango and soccer Book jacket.

Debates over the legacy of Pope Pius XII and his canonization are so heated they are known as the “Pius wars.” Soldier of Christ moves beyond competing caricatures and considers Pius XII as Eugenio Pacelli, a flawed and gifted man. While offering insight into the pope’s response to Nazism, Robert A. Ventresca argues that it was the Cold War and Pius XII’s manner of engaging with the modern world that defined his pontificate. Laying the groundwork for the pope’s controversial, contradictory actions from 1939 to 1958, Ventresca begins with the story of Pacelli’s Roman upbringing, his intellectual formation in Rome’s seminaries, and his interwar experience as papal diplomat and Vatican secretary of state. Accused of moral equivocation during the Holocaust, Pius XII later fought the spread of Communism in Western Europe, spoke against the persecution of Catholics in Eastern Europe and Asia, and tackled a range of social and political issues. By appointing the first indigenous cardinals from China and India and expanding missions in Africa while expressing solidarity with independence movements, he internationalized the church’s membership and moved Catholicism beyond the colonial mentality of previous eras. Drawing from a diversity of international sources, including unexplored documentation from the Vatican, Ventresca reveals a paradoxical figure: a prophetic reformer of limited vision whose leadership both stimulated the emergence of a global Catholicism and sowed doubt and dissension among some of the church’s most faithful servants.