(Music Sales America). All of Me * Bridge over Troubled Water * Clocks * Don't Stop Believin' * Firework * Mad World * A Thousand Miles * A Thousand Years * When We Were Young.

"A warm and expansive portrait of a woman’s mind that feels at once singular and universal," this collection of essays interweaves commentary on modern life, feminism, art, and sex with the author's own experiences of obsession, heartbreak, and vulnerability (BuzzFeed). Like a song that feels written just for you, Larissa Pham's debut work of nonfiction captures the imagination and refuses to let go. Pop Song is a book about love and about falling in love—with a place, or a painting, or a person—and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss—from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde—Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself. Pop Song is also a book about distances, near and far. As she travels from Taos, New Mexico, to Shanghai, China and beyond, Pham meditates on the miles we are willing to cover to get away from ourselves, or those who hurt us, and the impossible gaps that can exist between two people sharing a bed. Pop Song is a book about all the routes by which we might escape our own needs before finally finding a way home. There is heartache in these pages, but Pham's electric ways of seeing create a perfectly fractured portrait of modern intimacy that is triumphant in both its vulnerability and restlessness. "Each of the essays in this debut collection reads like a mini-memoir . . . in which the author reflects on her experiences of young love, trauma, and transcendence through discussions of art and music . . . with an intimacy that is at once tender and expansive." —New York magazine

An Intermediate Performance Companion For Pop Studies 1: The WunderKeys Essential Piano Collection is composed for students working in a traditional level 3 method book and contains piano solos in the keys of C, Am, G, Em, F, and Dm. With this book, piano teachers can: Break free from boring piano performance books Stop their endless online search for sheet music, and Feel confident knowing that they are using a collection of developmentally-appropriate music that will be a smash hit with their intermediate piano players. With every turn of the page, your students' passion for the piano will grow as they explore classical pop piano pieces inspired by Mozart, Beethoven and more, thundering Celtic solos and cool original pop repertoire. How can we be so sure this book will capture the attention of your intermediate piano players? Because it is a collection of WunderKeys' greatest intermediate hits! Every piece in this book is teacher and teen approved. To create the perfect lesson experience for your intermediate piano players, our most popular piano pieces from the last decade have been reworked to create a leveled repertoire collection for use alongside our book, WunderKeys Intermediate Pop Studies For Piano 1 (also available on Amazon). The 15 piano pieces in An Intermediate Performance Companion For Pop Studies 1 are: My Tomorrow, The Grøndahl Session, Fearless At Fintown, The Notebook Session, The Sonata Session, Sea O'Malley (formerly Keeva's Theme), The Awakening, Faelan Rising, The 620 Session, Rohan's Return, The Night Session, Keeva Rising, Running In The Night, The Sonatina Session, and The Semplice Session (formerly K.Track 545). An Intermediate Performance Companion For Pop Studies 1 is the music that teens want and teachers need. Get it for your intermediate players today.

(Instrumental Folio). If you've been playing violin for a little while, you are probably eager to learn some familiar songs. This book includes a wide variety of favorite songs, from pop hits and movie themes to classical melodies and folk songs, many of which originally featured violin! Songs include: Best Song Ever * Canon in D * Dust in the Wind * Eleanor Rigby * The Hustle * The Irish Washerwoman * Jesu, Joy of Man's Desiring * Pure Imagination * Theme from "Schindler's List" * Summertime * Tennessee Waltz * Turkey in the Straw * Viva La Vida * You Raise Me Up * and more.

(Piano Solo Songbook). 27 terrific hits, standards & themes many of which have never been available in piano solo arrangements! Includes: All I Ask of You * Bella's Lullaby * Bohemian Rhapsody * Don't Stop Believin' * Forrest Gump Main Title * Grenade * Hallelujah * Hello * Just the Way You Are * Let It Be * On My Own * The Pink Panther * Someone like You * When She Loved Me * and more.

“A thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records” (Los Angeles Times), Do Not Sell at Any Price is a fascinating, complex story of preservation, loss, obsession, and art. Before MP3s, CDs, and cassette tapes, even before LPs or 45s, the world listened to music on fragile, 10-inch shellac discs that spun at 78 revolutions per minute. While vinyl has enjoyed a renaissance in recent years, rare and noteworthy 78rpm records are exponentially harder to come by. The most sought-after sides now command tens of thousands of dollars, when they’re found at all. Do Not Sell at Any Price is the untold story of a fixated coterie of record collectors working to ensure those songs aren’t lost forever. Music critic and author Amanda Petrusich considers the particular world of the 78—from its heyday to its near extinction—and examines how a cabal of competitive, quirky individuals have been frantically lining their shelves with some of the rarest records in the world. Besides the mania of collecting, Petrusich also explores the history of the lost backwoods blues artists from the 1920s and 30s whose work has barely survived and introduces the oddball fraternity of men—including Joe Bussard, Chris King, John Tefteller, and others—who are helping to save and digitize the blues, country, jazz, and gospel records that ultimately gave seed to the rock, pop, and hip-hop we hear today. From Thomas Edison to Jack White, Do Not Sell at Any Price is an untold, intriguing story of the evolution of the recording formats that have changed the ways we listen to (and create) music. “Whether you’re already a 78 aficionado, a casual record collector, a crate-digger, or just someone…who enjoys listening to music, you’re going to love this book” (Slate).

(Instrumental Folio). If you've been taking cello lessons for a little while, you're probably eager to put those new skills to work and play some familiar songs. The First 50 Songs You Should Play on the Cello includes a wide variety of favorite songs, from pop hits and movie themes, to folk songs and classical melodies, several of which originally featured cello! Titles include: Air (Air on the G String) * All of Me * All You Need Is Love * Circle of Life * Fight Song * God Bless America * Hallelujah * Hello * I Will Always Love You * Let It Go * Roar * Satin Doll * See You Again * Shake It Off * Shallow * Stand by Me * Summertime * The Swan (Le Cygne) * This Is Me * What a Wonderful World * and more!