Paganism is rapidly becoming a religious, creative, and political force internationally. It has found one of its most public expressions in popular music, where it is voiced by singers and musicians across rock, folk, techno, goth, metal, Celtic, world, and pop music. With essays ranging across the US, UK, continental Europe, Australia and Asia, 'Pop Pagans' assesses the histories, genres, performances, and communities of pagan popular music. Over time, paganism became associated with the counter culture, satanic and gothic culture, rave and festival culture, ecological consciousness and spirituality, and new ageism. Paganism has used music to express a powerful and even transgressive force in everyday life. 'Pop Pagans' examines the many artists and movements which have contributed to this growing phenomenon.

Paganism is back and its loud. Widely regarded as rationalized out of the West, paganism is rapidly becoming a religious, creative, and political force internationally. It has found its most public expression in popular music, where it now influences singers and musicians across rock, folk, techno, goth, metal, Celtic, world, and pop music. With essays ranging widely across the US, UK, continental Europe, Australia and Asia, Pop Pagans examines the histories, genres, performances, and communities of pagan popular music. Pagan music has a history, one often connected with specific sites or places. Over time, it became associated with the counter culture, satanic and gothic culture, rave and festival culture, ecological consciousness and spirituality, and new ageism. Paganism has used music to become a powerful and transgressive force in everyday life. Pop Pagans examines the many artists and movements which have contributed to this growing phenomenon.

Straightforward discussion about how the new spirituality, or paganism, is creeping into the Church, & how to stand firm in Biblical Christianity.

The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo P�rt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.

Pagan traditions are the fastest-growing religious group in America, or so it has often been said since British witchcraft arrived in the late 1950s. Numbers are tricky to come by, but we know that contemporary Pagans report themselves as living in every American state, and in countries around the world. Historian Ronald Hutton is fond of pointing out that witchcraft is the one new religion that England has produced and shared globally.This volume reviews the shifting landscape of current Pagan spirituality, the unique culture and needs which must be understood in order to engage with contemporary Pagans, and the implications for future leadership, including organizational models, training and educational needs. The author has interviewed Pagan leaders about their own experiences and looks at data from the Pagan Engagement and Spiritual Support survey of 2016 to answer questions such as What does "ministry" mean for Pagans? Who do Pagans turn to for spiritual support? Who ought to be providing that support? Do Pagans want leaders who are trained for ministry? What kind of training do they need, and how do they get it?If you are a Pagan who wishes to support others in these ways, you will find here a framework for your own work, including stories and examples. If you are an interfaith minister, a chaplain, or a spiritual leader who finds that Pagans are intersecting with your work, you will become acquainted with the culture of this old-but-new spirituality. If you are an educator, may you find Constellated Ministry useful in teaching seminarians and students of religious studies.

A comprehensive guide to a growing religious movement If you want to study Paganism in more detail, this book is the place to start. Based on a course in Paganism that the authors have taught for more than a decade, it is full of exercises, meditations, and discussion questions for group or individual study. This book presents the basic fundamentals of Paganism. It explores what Pagans are like; how the Pagan sacred year is arranged; what Pagans do in ritual; what magick is; and what Pagans believe about God, worship, human nature, and ethics. For those who are exploring their own spirituality, or who want a good book to give to non-Pagan family and friends A hands-on learning tool with magickal workings, meditations, discussion questions, and journal exercises Offers in-depth discussion of ethics and magick