Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

We had tasted of Spain before ever we had crossed her frontiers. Indeed, perhaps Spain is the easiest country to obtain samples from without the fatigue of travelling. The Spaniard carries his atmosphere with him: wherever he goes he re-creates in his immediate surroundings more than a hint of his national existence. The Englishman abroad may be English— more brutally and uncompromisingly English than the Spaniard is Spanish—yet he does not carry England with him. He does not, that is, recreate England to the extent of making her seem quite real abroad; there she appears alien, remote, somewhat out of place. So, too, neither the Russian, the German, the Dane, the Portuguese, the Italian, nor the American can carry with him the flavour of his homeland in an essence sufficiently concentrated to withstand the insidious infiltration of a foreign atmosphere. To some extent the Scandinavian countries, Norway and Sweden, have this power; but Spain is thus gifted in the greatest measure. These three countries seem to possess a national unconsciousness which fends them off from too close a contact with lands which are foreign to them; perhaps one might almost accuse them of a lack of sensitiveness in certain aspects....

This book looks at the reception of the Spanish Civil War in British popular culture, and how supporters of both sides in Britain used the rhetoric and imagery of the conflict to bolster support for their respective causes in the arena of British public opinion. Brian Shelmerdine finds that traditional notions of Spain as a country of bullfighting, bandits and flamenco were pervasive and were significant in shaping wider UK government policy towards Spain. He carefully assesses the different political perceptions of the 1930s Spanish scene, the role of the Catholic Church, the depiction of the two sides in terms of class, race and ethnicity, humanitarian appeals, and the plight of the Basques. The book is fluently written, and should make fascinating and entertaining reading for scholars of British society and culture in the twentieth century, as well as those investigating international impact of the Spanish Civil War.

The Spanish Anarchists and the Russian Revolution, 1917–24 explores the impact of the Russian Revolution on the world’s most powerful anarchist movement, the Spanish National Confederation of Labour. The monograph traces the curve of euphoria followed by scepticism that characterized anarchist reactions to the Soviet experiment in 1917–24. This book unearths the interactions between anarchists and Bolsheviks, and assesses their significance for social conflict in Spain and for the foundation of international communism. The Spanish anarchists are a window to examine the global appeal of the Bolsheviks among diverse, non-Marxist militant groups at a time of cross-fertilization for the left internationally. Through the case study of the Spanish anarchists, this book highlights how identification with the victorious Russian Bolsheviks became a rousing device and a political asset at a time of intense social effervescence, when, in the eyes of many, world revolution seemed imminent. However, for heterodox, non-Marxist forces, such as the Spanish anarchists, the Soviet model had to be negotiated and adapted to local conditions and political traditions. This book later traces the ending of this phase of cross-fertilization at a time of defeat and demoralization for the labour movement in Spain and across Europe.