“Fantastical . . . Through the thoughts of a rare black goat and the couple who adopt it, readers witness famines, death, and moments of beauty.” —National Geographic Longlisted for the National Book Award for Translated Literature As he did in the award-winning One Part Woman, Perumal Murugan explores a side of India that is rarely considered in the West: the rural lives of the country’s farming community. He paints a bucolic yet sometimes menacing portrait, showing movingly how danger and deception can threaten the lives of the weakest through the story of a helpless young animal lost in a world it naively misunderstands. As the novel opens, a mysterious stranger offers a farmer in Tamil Nadu a black goat kid who is the runt of the litter, surely too frail to survive. The farmer and his wife take care of the young she-goat, whom they name Poonachi, and soon the little goat is bounding with joy and growing at a rate they think miraculous for such a small animal. Intoxicating passages from the goat’s perspective offer a bawdy and earthy view of what it means to be an animal and a refreshing portrayal of the natural world. But Poonachi’s life is not destined to be a rural idyll—dangers can lurk around every corner, and may sometimes come from surprising places, including a government that is supposed to protect the weak and needy. Is this little goat too humble a creature to survive such a hostile world? “The title character of Murugan’s elegant new novel is indeed a joy . . . through Poonachi’s tale we are reminded how much bonds us with the animal world.” —USA Today

Perumal Murugan is one of the best Indian writers today. THE GOAT THIEF is a selection of his ten best stories focused on men and women who live in the margins of our society.

A literary masterpiece (translated from the Tamil) that opens a door to the poignant world of India's 'untouchables'.

Late at night, Kumarasurar's phone rings shrilly. His teenage son is calling. What could he want? A seemingly simple demand torments Kumarasurar, who fears it might put his finances--and perhaps his son's life--in jeopardy. As a father's anxieties unravel, his memories undermine his self-worth and imaginary scenes of damnation taunt him. Estuary brings alive the different ways--absurd and endearing by turns--in which a man and his young son navigate the contemporary world. In the process, it peels back the layers of Kumarasurar's loneliness: the hurt of a married man whose wife cares only for the happiness of their child, the endless monotony of an office job, and the struggle of the salaried middle-class to give their children the best chance of success. Perumal Murugan's latest novel, his first in an urban setting, is also a razor-sharp parody of everything from e-commerce to the fitness industry, art appreciation to political manipulation, cram schools to social networks. Through a meditative exploration of a father's emotional landscape, Murugan tells of a world wrecked by unchecked consumerism and an obsession with growth, where technology overrides common sense and degrees don't guarantee education. And, with characteristic tenderness, he also weaves in a way to redemption. --Goodreads summary

By the author of One Part Woman: “A haunting story of forbidden love set in Southern India that illustrates the cruel consequences of societal intolerance.” —Kirkus Reviews, starred review Saroja and Kumaresan are young and in love. After meeting in a small southern Indian town where Kumaresan works at a soda bottling shop, they quickly marry before returning to Kumaresan’s family village, where they hope to build a happy life together. But they are harboring a terrible secret: Saroja is from a different caste than Kumaresan, and if the villagers find out, they will both be in grave danger. Faced with venom from her mother-in-law and questions from her new neighbors, Saroja tries to adjust to a new lonely and uncomfortable life, while Kumaresan struggles to scrape together enough money for them to start over somewhere new. But in a world filled with thorns, their love may not be enough to keep them safe.