When I started translating Kalki’s Ponniyin Selvan in 2010, blissfully unaware of the depth and the magnitude of the work, several people tried to dissuade me. One potential publisher even lured me with an offer to translate another work of Kalki. Reason: there were already many translations around. Yes, there were. But most of them, though done with utmost sincerity, failed to create the emotional bond with the readers which the original author had effortlessly done in the Fifties when Ponniyin Selvan was serialised in a popular magazine. I did not rush up. I did not have a target or deadline. I let the translation work progress in its own pace. That explains the six long years I spent for this project. I read and re-read the first draft a dozen times before handing it over to my editors. There were many points of contention. There were issues where we could not reach a consensus easily. Finally the hard copy was ready for publication in 2016. The publisher had jitters and so did I. We got ready rough copies of two volumes. I gave it to two of my friends, who had read the original more than sixty times, with a mandate to read them in one go. They did and said “This is the best you can do in English.” The work culminated not when the book was released by a former Central Minister in 2016, not even when it went for three editions but when an ardent fan of Kalki sent a mail to me in 2019. “It was as if Kalki himself rendered his great work in English.”

Translation of the Tamil novel, Ponniyin Selvan by Kalki . This is volume 2 of 5. Adventures in Sri Lanka and the sea. Indra Neelameggham brings the beauty of Tamil style and cadence into English. There is intrigue, politics, murder, mystery, power of women, life of the nobility and ordinary folk, war and ambition. Tamil culture and and Chozla history from 1000 years ago comes to life. This English translation by Indra Neelameggham maintains Kalki's "Nadai" or cadence of the original Tamil. Indra was the first to translate this epic into English as early as the 1990s. This five part novel introduces the grandeur of the Chozla Dynasty of Tamil people, whose empire at one time spanned large areas of south east Asia. They were famous for art, architecture, irrigation works, administration, naval warfare and most importantly global trade because of their naval prowess. The Grand Anaicut one of the oldest, still in use dams across any major river, was built by the Chozlas. The huge complex known as 'Big Temple ' in Tanjavur was built more than a thousand years ago by Rajaraja, the main character in this novel. He is known as the Beloved of the River Ponni , the Tamil name for The Cauvery. The activities of common folk, nobility, ordinary soldiers, the power wielded by women, conniving statesmen, terrorists, treason, war, pirates, murder and turmoil for a throne are the core threads in this panoramic story. References to Tamil poetry and myth enrich the story. Kalki brought the meticulously researched history to the doorsteps of millions who were proud that they too had 'history' beyond what was shared by colonial books. It is soon to be released as a major multi language motion picture filmed with latest technology in locations in many countries. This book and its art work has thrilled generations of readers. This translation is sure to enthrall many more persons all over the world. Indra has brought this English version to help readers overcome the limitation of not knowing Tamil. May all go forth to enjoy the grand old world of the Chozlas of Tamil country

The Chola kingdom needs a strong ruler and the Tiger Throne a new master. Rival factions stake their claim to the Chola throne as a power struggle ensues with Emperor Sundara Chola’s failing health. The air is thick with political intrigue. On one side stands Prince Madurandaka, supported by the ruthless Pazluvur chieftains. On the other is Prince Arulmozlivarman, the future Raja Raja Chola, one of the greatest emperors in Indian history. The Pazluvur chieftains take the emperor hostage and civil war looms over the Chola kingdom. History and fiction merge to weave a story of vengeance and romance, disguised princes and beautiful princesses, secret passages and dark dungeons, evil sorcerers and master spies… Who will emerge victorious in this dangerous and thrilling game to seize the throne? Preetha Rajah Kannan has written five books on Indian mythology, edited a translation of the Telugu Navagraha Purana and contributed to several newspapers and magazines. A homemaker and mother to two sons, she lives in Madurai, Tamil Nadu.

Whirlwinds, the exciting second part of Kalki R Krishnamurthy's historic magnum opus Ponniyin Selvan, our hero Vallavarayan Vandhiyathevan's adventures continue as he rides into marshy quagmires, befriends a mysterious girl, becomes the object of intense suspicion by the wily Pazhuvettarayars - and meets the hero of his dreams. Meanwhile, Kundhavai Piratti, princess of the Chozha empire is thrown into confusion and outrage, while the beautiful but poisonous Nandhini Devi weaves more deceitful webs to ensnare her enemies. She will stop at nothing to bring about the downfall of the Chozhas ... but will the scions of that royal clan escape in time? Read on to find out as the epic continues.

An engineer by profession, Karthik Narayanan (1938) was born in Calcutta and had his early education in Tuticorin. He is an industrialist and heads companies that manufacture automobile components. He has occupied a number of important positions like the President of the Association of Indian Automobile Manufacturers, President of the Automobile Research Association of India, Chairman of the Southern Region of the Association of Indian Engineering Industry, Member of the Senate of the Annamalai University. Steeped in South Indian history, its arts and culture, KN is an avid reader of all the novels “Kalki” wrote, and is an accomplished player o of the percussion instrument the mridangam. KN is also an enthusiastic traveller, trekking in Himalayas being a favourite hobby. Married to Uma who is an accomplished translator of French and Tamil books and Managing Trustee of the SOS Children's Villages of India-Chatnath Homes and the Karna Prayag Trust, KN has a son Ramgopal, daughter Gayathri and a granddaughter Niveditha.

When I started translating Kalki’s Ponniyin Selvan in 2010, blissfully unaware of the depth and the magnitude of the work, several people tried to dissuade me. One potential publisher even lured me with an offer to translate another work of Kalki. Reason: there were already many translations around. Yes, there were. But most of them, though done with utmost sincerity, failed to create the emotional bond with the readers which the original author had effortlessly done in the Fifties when Ponniyin Selvan was serialised in a popular magazine. I did not rush up. I did not have a target or deadline. I let the translation work progress in its own pace. That explains the six long years I spent for this project. I read and re-read the first draft a dozen times before handing it over to my editors. There were many points of contention. There were issues where we could not reach a consensus easily. Finally the hard copy was ready for publication in 2016. The publisher had jitters and so did I. We got ready rough copies of two volumes. I gave it to two of my friends, who had read the original more than sixty times, with a mandate to read them in one go. They did and said “This is the best you can do in English.” The work culminated not when the book was released by a former Central Minister in 2016, not even when it went for three editions but when an ardent fan of Kalki sent a mail to me in 2019. “It was as if Kalki himself rendered his great work in English.”

When I started translating Kalki’s Ponniyin Selvan in 2010, blissfully unaware of the depth and the magnitude of the work, several people tried to dissuade me. One potential publisher even lured me with an offer to translate another work of Kalki. Reason: there were already many translations around. Yes, there were. But most of them, though done with utmost sincerity, failed to create the emotional bond with the readers which the original author had effortlessly done in the Fifties when Ponniyin Selvan was serialised in a popular magazine. I did not rush up. I did not have a target or deadline. I let the translation work progress in its own pace. That explains the six long years I spent for this project. I read and re-read the first draft a dozen times before handing it over to my editors. There were many points of contention. There were issues where we could not reach a consensus easily. Finally the hard copy was ready for publication in 2016. The publisher had jitters and so did I. We got ready rough copies of two volumes. I gave it to two of my friends, who had read the original more than sixty times, with a mandate to read them in one go. They did and said “This is the best you can do in English.” The work culminated not when the book was released by a former Central Minister in 2016, not even when it went for three editions but when an ardent fan of Kalki sent a mail to me in 2019. “It was as if Kalki himself rendered his great work in English.”