An assessment of the Bay of Naples as a popular vacation spot in ancient Rome evaluates the picturesque area as a villa site for numerous emperors and a retreat of choice for the artistic community, in a lavishly illustrated volume that features reproductions of period artwork.

This volume offers a comprehensive survey of Roman villas in Italy and the Mediterranean provinces of the Roman Empire, from their origins to the collapse of the Empire. The architecture of villas could be humble or grand, and sometimes luxurious. Villas were most often farms where wine, olive oil, cereals, and manufactured goods, among other products, were produced. They were also venues for hospitality, conversation, and thinking on pagan, and ultimately Christian, themes. Villas spread as the Empire grew. Like towns and cities, they became the means of power and assimilation, just as infrastructure, such as aqueducts and bridges, was transforming the Mediterranean into a Roman sea. The distinctive Roman/Italian villa type was transferred to the provinces, resulting in Mediterranean-wide culture of rural dwelling and work that further unified the Empire.

Containing photographs of artifacts and Roman ruins, this history examines life in an ancient Roman villa with a timeline, illustrations, and a glossary.

WINNER OF THE WOLFSON HISTORY PRIZE 2008 'The world's most controversial classicist debunks our movie-style myths about the Roman town with meticulous scholarship and propulsive energy' Laura Silverman, Daily Mail The ruins of Pompeii, buried by an explosion of Vesuvius in 79 CE, offer the best evidence we have of everyday life in the Roman empire. This remarkable book rises to the challenge of making sense of those remains, as well as exploding many myths: the very date of the eruption, probably a few months later than usually thought; or the hygiene of the baths which must have been hotbeds of germs; or the legendary number of brothels, most likely only one; or the massive death count, maybe less than ten per cent of the population. An extraordinary and involving portrait of an ancient town, its life and its continuing re-discovery, by Britain's favourite classicist.

Few sources reveal the life of the ancient Romans as vividly as do the houses preserved by the eruption of Vesuvius. Wealthy Romans lavished resources on shaping their surroundings to impress their crowds of visitors. The fashions they set were taken up and imitated by ordinary citizens. In this illustrated book, Andrew Wallace-Hadrill explores the rich potential of the houses of Pompeii and Herculaneum to offer new insights into Roman social life. Exposing misconceptions derived from contemporary culture, he shows the close interconnection of spheres we take as discrete: public and private, family and outsiders, work and leisure. Combining archaeological evidence with Roman texts and comparative material from other cultures, Wallace-Hadrill raises a range of new questions. How did the organization of space and the use of decoration help to structure social encounters between owner and visitor, man and woman, master and slave? What sort of "households" did the inhabitants of the Roman house form? How did the world of work relate to that of entertainment and leisure? How widely did the luxuries of the rich spread among the houses of craftsmen and shopkeepers? Through analysis of the remains of over two hundred houses, Wallace-Hadrill reveals the remarkably dynamic social environment of early imperial Italy, and the vital part that houses came to play in defining what it meant "to live as a Roman."

La 4e de couverture indique : Parmi les tout premiers bâtiments fouillés sur le site de Pompéi, entre 1771 et 1775, la Villa de Diomède constitue l'un des édifices les plus décrits et représentés par les voyageurs du Grand Tour. Engagé en 2012, un programme pluridisciplinaire a eu pour objectif de restituer toute son évolution, conjuguant la fabrique matérielle d'une villa romaine et sa fabrique imaginaire contemporaine. Il s'agissait d'identifier et de modéliser les différents chantiers de construction qui en ont transformé le bâtiment, de la fin du XVIIIe siècle à nos jours. Pour ce faire, différentes compétences se sont associées : histoire des fouilles et des restaurations, archéologie de la construction, bases de données, systèmes d'information géographique, géophysique, ingénierie des structures, imagerie scientifique et modélisation 3D. Les trente-trois contributions réunies rendent compte de ces regards croisés sur l'entière fabrique de cette villa singulière, envisagée sur la longue durée.

This is a catalogue of an exhibition by the Kelsey Museum at the University of Michigan which focused on a cycle of frescoes found in 1990 at the well-known villa on the outskirts of ancient Pompeii. Probably painted around 60 BC, the cycle depicts young women probably being initiated into the cult of Bacchus (Dionysus) in preparation for marriage. The catalogue presents a number of objects connected with the villa, as well as the reconstruction watercolours commissioned by Francis Willey Kelsey, founder of the museum, from Maria Barosso, an artist working in Rome at the time of the frescoes' discovery. Even more interesting are the ten essays that precede the artefacts, which focus on `women and cult in the art of Roman Italy' and have been developed out of a research group led by Gazda.