“The giant who loved a sea nymph” tells of Polyphemus and his unsuccessful love for the nymph Galatea. This version written in a simple, fairy-tale style by Grace Harriet Kupfer in 1897 is derived from the Greek myth that originally appeared in Ovidʼs Metamorphoses. With notes.

"The giant who loved a sea nymph" tells of Polyphemus and his unsuccessful love for the nymph Galatea. This version written in a simple, fairy-tale style by Grace Harriet Kupfer in 1897 is derived from the Greek myth that originally appeared in Ovidʼs Metamorphoses.

Alphabetically listed entries identify and explain the characters, events, important places, and other aspects of Greek and Roman mythology.

William Shakespeare is perhaps the most frequently quoted author of the English-speaking world. His plays, in turn, "quote" a wide variety of sources, from books and ballads to persons and events. In this dynamic study of Shakespeare's plays, Douglas Bruster demonstrates that such borrowing can illuminate the world in which Shakespeare and his contemporary playwrights lived and worked, while also shedding light on later cultures that quote his plays. In contrast to the New Historicism's sometimes arbitrary linkage of literary works with elements drawn from the surrounding culture, Quoting Shakespeare focuses on the resources that writers used in making their works. Bruster shows how this borrowing can give us valuable insight into the cultural, historical, and political positions of writers and their works. Because Shakespeare's plays have often been quoted by other writers, this study also examines what subsequent uses of Shakespeare's plays reveal about the writers and cultures that use them. In this way, Quoting Shakespeare insists that literary production and reception are both integral to a historical approach to literature.

This new scholarly edition consists of the Latin text, with translation and detailed commentary, of a sequence of epigrams from the Anthologia Latina (Shackleton Bailey 78-188). The introduction discusses whether these epigrams constitute a unified collection and are the work of a single author, examines their likely date and place of composition – which, it is argued, is North Africa under Vandal rule –, and sets them in their cultural context. The line-by-line commentary covers issues of literary, linguistic and historical significance. Although text and interpretation of these pieces present frequent difficulties, the author confirms that they make up a fascinating collection of considerable importance and merit, contrary to the low reputation generally associated with the Anthologia Latina. The book will be of great interest to students of Latin literature and language in general, the epigram tradition in particular, and the culture of Vandal Africa.

This engaging, readable yet impeccably scholarly investigation of monsters in Classical literature will entertain and stimulate as well as inform. It covers all the major mythical monsters mentioned by Greek and Roman authors (Medusa, Hydra, Polyphemus, the Minotaur, Sphinx, Harpies, Sirens, Cerberus, Chimaera, Centaurs, and many more) along with Classical precursors of vampires, werewolves and the living dead. Versions of these creatures that appear in later literature and film are also discussed. Mythical Monsters is original in considering monsters squarely from a literary standpoint, introducing elements of literary analysis gradually as the work progresses, and building up to quite a sophisticated approach. This will increase readers' critical appreciation and plain enjoyment of these stories, which continue to fascinate today. To facilitate browsing, each chapter can be read independently. There is a useful bibliography, and the book is enlivened by illustrations from ancient and more recent art.

You're no idiot, of course. You can find Greece on a map, know that Kevin Sorbo stars as Hercules on TV, and have heard of Freud's Oedipus theory. But when it comes to classical mythology, you feel like you've been foiled by the gods. Don't curse Zeus yet! The Complete Idiot's Guide® to Classical Mythology has all you need for a working knowledge of the timeless world of Greek and Roman myths.