This is a poetic translation of Luis Góngora y Argote's Polifemo y Galatea, a major work by a major poet of the Spanish Golden Age. The main body of this English version consists of prose paraphrases of the English poetic text and an analytical commentary that accompanies the actual poetic text it reproduces faithfully both content and the form of the ottava rima of the Spanish original.

“The giant who loved a sea nymph” tells of Polyphemus and his unsuccessful love for the nymph Galatea. This version written in a simple, fairy-tale style by Grace Harriet Kupfer in 1897 is derived from the Greek myth that originally appeared in Ovidʼs Metamorphoses. With notes.

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed! This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

This book connects the emergence of Latin love elegy and a new, tender style in Roman wall painting.