"Enthralling ... A great read."—Philippe de Montebello, former director of the Metropolitan Museum of Art October 16, 1943, inside the Vatican as darkness descends upon Rome. Having been alerted to the Nazi plan to round up the city’s Jewish population the next day, Monsignor F. dispatches an envoy to a nearby palazzo to bring Ludwig Pollak and his family to safety within the papal premises. But Pollak shows himself in no hurry to leave his home and accept the eleventh-hour offer of refuge. Pollak’s visitor is obliged to take a seat and listen as he recounts his life story: how he studied archaeology in Prague, his passion for Italy and Goethe, how he became a renowned antiquities dealer and advisor to great collectors like J. P. Morgan and the Austro-Hungarian emperor after his own Jewishness barred him from an academic career, and finally his spectacular discovery of the missing arm from the majestic ancient sculpture of Laocoön and his sons. Torn between hearing Pollak’s spellbinding tale and the urgent mission to save the archaeologist from certain annihilation, the Vatican’s anxious messenger presses him to make haste and depart. This stunning novel illuminates the chasm between civilization and barbarism by spotlighting a now little-known figure devoted to knowledge and the power of artistic creation.

The aim of this publication is to clarify the relationships between material restoration and politics in Italian Renaissance art. The focus of this research is on the question of origin as a foothold for political, patrimonial, and cultural identity. These claims were enacted within a system which, rather than restoring the initial forms and meanings of existing objects, remodeled the past according to new identity requirements: spaces were reorganized, and works of art invested with new meanings. Their material and aesthetic reality was thus transformed and redefined. The aim is therefore to analyze the potential physical modifications of these artefacts in light of their symbolic recoding. Restoration practices in Italian Renaissance art Reassessing the concept of Renaissance Recording of ancient works for political purposes

However shared the Roman inheritance may be, it hardly unifies. Which Rome is the model, the Republic or the Empire? The Rome of imperial conquest or of civil war? By whom is it ruled? By the glorious conqueror who extended universal peace, the rule of law, and infrastructure – roads and aqueducts – or by the detested tyrant who imposed domination? Or worse, the corruptor of republican liberty and source of putrefying decadence? Rome always returns, but which Rome? France presents itself as a privileged locus for Rome’s return since the beginnings of its history. The perennial recourse to ancient Rome – as model or anti-model – binds together a cohesive tradition. The logic of this gesture asserts a unity beyond modern identity politics, which depend on defining a “them” against “us,” to resist nativist assumptions about national character, French, German, Italian, American, etc. All share the same polysemous inheritance, for good or ill. All are Roman and all resist Rome without needing to agree on what exactly is shared. The unity underlying the discourse, however, no longer depends on defining Rome as an origin. Instead, Rome’s figuration persists discursively, as a translation: to be translated time and time again.

WALL STREET JOURNAL BESTSELLER As featured in the New York Post and as seen on Tucker Carlson, Fox and Friends, Martha MacCallum, and more. Voted by Book Authority as one of the ten best social policy books of all time! The Parkland school shooting was the most avoidable mass murder in American history. And the policies that made it inevitable are being forced into public schools across America. “After my sister Meadow was murdered at Marjory Stoneman Douglas High School, the media obsessed for months about the type of rifle the killer used. It was all clickbait and politics, not answers or justice. That wasn’t good enough for us. My dad is a real tough guy, but Meadow had him wrapped around her little finger. He would do anything she wanted, and she would want him to find every answer so that this never happens again. My dad teamed up with one of America’s leading education experts to launch his own investigation. We found the answers to the questions the media refused to ask. Questions about school safety that go far beyond the national gun debate. And the answers to those questions matter for parents, teachers, and schoolchildren nationwide. If one single adult in the Broward County school district had made one responsible decision about the Parkland shooter, then my sister would still be alive. But every bad decision they made makes total sense once you understand the district’s politically correct policies, which started here in Broward and have spread to thousands of schools across America.” —Hunter Pollack, “Foreword”

Four decades after Jeannette DePalma's tragic death, authors Jesse P. Pollack and Mark Moran present the definitive account of the shocking Springfield township cold case. As Springfield residents decorated for Halloween in September 1972, the crime rate in the quiet, affluent township was at its lowest in years. That mood was shattered when the body of sixteen-year-old Jeannette DePalma was discovered in the local woods, allegedly surrounded by strange objects. Some feared witchcraft was to blame, while others believed a serial killer was on the loose. Rumors of a police cover up ran rampant, and the case went unsolved - along with the murders of several other young women.

This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists’ workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists’ use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day. Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists’ models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture.