Although the study of politics dates to ancient Greece, the basic questions that interested those earliest political scientists still linger with us today: What are the origins of government? What should government do? What conditions foster effective governance? Rational choice theory offers a new means for developing correctable answers to these questions. This volume illustrates the promise of rational choice theory and demonstrates how theory can help us develop interesting, fresh conclusions about the fundamental processes of politics. Each of the book’s three sections begins with a pedagogical overview that is accessible to those with little knowledge of rational choice theory. The first group of essays then discusses various ways in which rational choice contributes to our understanding of the foundations of government. The second set focuses on the contributions of rational choice theory to institutional analysis. The final group demonstrates ways in which rational choice theory helps to understand the character of popular government.

Wild Democracy calls for a more anarchic, more courageous democracy. This is an ethic for people who know the rights they hold, and who struggle to rule themselves. This is an ethic for unfinished revolutions; an ethic for those who will not be mastered. This is an ethic for those who hold fast to the rights they have by nature. This is an ethic that requires courage. Democracy is always a risky business; full of promise and danger. The promise is the freedom to rule ourselves. The danger is fear: fear of the unknown, fear of the unruly, fear of one another, fear of anarchy. Fear leads to authoritarianism. The fearful look for a strong hand, a powerful leader, a protector, a gun. Anarchy leads to courage, to self-reliance, self-discipline, self-rule, and solidarity. Anarchy is the nursery of democracy. It is not anarchy we have to fear, it is authoritarianism. We have been taught to see the people as a problem to be managed. Anne Norton sees them as a source of strength. Anarchic democracy grows wild: springing from the everyday actions of ordinary human beings. Liberalism and conservatism alike have turned away from the democratic, to institutions, rules, and regulations. Anne Norton turns to anarchic people who practice democratic ethics.

Between Tyranny and Anarchy provides a unique comprehensive history and interpretation of efforts to establish democracies over two centuries in the major Latin American countries. Drake takes an unusual interdisciplinary approach, combining history and political science with an emphasis on political institutions. He argues that, without a thorough examination of the historical roots and causes of Latin American democracy, most general theories can not adequately explain its failures, successes, and forms. Latin America offers an extraordinary laboratory for the study of democratic experiments. Alongside a well-deserved reputation for authoritarianism, it boasts one of the world's deepest, richest histories of democratic movements, ideas, and institutions. Contrary to conventional wisdom, the region's leading democracies did not lag very far behind the United States and Western Europe in making numerous advances. In comparison with those countries, though, Latin America's democratic history has been distinctive because of its fundamental dilemma: how to reconcile political systems theoretically committed to legal equality with societies divided by extreme socio-economic inequalities.

Anarchism is a significant but relatively neglected of political thought. April Carter examines the anarchist critique of the state, of bureaucracy, of democratic government and contrasts this attitude with more orthodox political theory. She also considers anarchist theories and social and economic organization, the relevance of anarchism to contemporary conditions and the problems of idealism in politics.

Situated at the intersection of anarchist and democratic theory, Anarchism and Art focuses on four popular art forms—DIY (Do It Yourself) punk music, poetry slam, graffiti and street art, and flash mobs—found in the cracks between dominant political, economic, and cultural institutions and on the margins of mainstream neoliberal society. Mark Mattern interprets these popular art forms in terms of core anarchist values of autonomy, equality, decentralized and horizontal forms of power, and direct action by common people, who refuse the terms offered them by neoliberalism while creating practical alternatives. As exemplars of central anarchist principles and commitments, such forms of popular art, he argues, prefigure deeper forms of democracy than those experienced by most people in today's liberal democracies. That is, they contain hints of future, more democratic possibilities, while modeling in the present the characteristics of those more democratic possibilities. Providing concrete evidence that progressive change is both desirable and possible, they also point the way forward.

This book examines the political perspective of French thinker and historian Jacques Ranci&ère. Ranci&ère argues that a democratic politics emerges out of people&’s acting under the presupposition of their own equality with those better situated in the social hierarchy. Todd May examines and extends this presupposition, offering a normative framework for understanding it, placing it in the current political context, and showing how it challenges traditional political philosophy and opens up neglected political paths. He demonstrates that the presupposition of equality orients political action around those who act on their own behalf&—and those who act in solidarity with them&—rather than, as with the political theories of John Rawls, Robert Nozick, and Amartya Sen, those who distribute the social goods. As May argues, Ranci&ère&’s view offers both hope and perspective for those who seek to think about and engage in progressive political action.