An analysis of the use of media by political and religious interest groups in India

This 2007 book studies the impact of the media on politics in the United States during the last half-century.

This work examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programmes, from 'The Daily Show' to 'South Park'.

Television is the cultural form that binds together the nation of Egypt. This text analyses Egyptian TV, not only to provide an understanding of the effect of the medium on Egyptian people, but also to examine TVs greater role in culture.

Textbook

"This is one of the best books I've read on the changing relationship of television to society. It provides a very good analysis of theoretical perspectives on television and makes excellent use of critical theory. An accessible book that at the same time challenges the reader to think more deeply about the role of television in a formally democratic society. —Vincent Mosco Carleton University In this pathbreaking study, Douglas Kellner offers the most systematic, critically informed political and institutional study of television yet published in the United States. Focusing on the relationships among television, the state, and business, he traces the history of television broadcasting, emphasizing its socioeconomic impact and its growing political power. Throughout, Kellner evaluates the contradictory influence of television, a medium that has clearly served the interests of the powerful but has also dramatized conflicts within society and has on occasion led to valuable social criticism.

Dramatic miniseries are the primary arena for the expression of postcolonial Syrian culture and artistic talent, an arena that unites diverse aspects of artisanship in a struggle over visions of the past, present, and future of the nation. As the tour de force of the television medium, blossoming amidst persisting authoritarianism, these miniseries serve as a crucial and complex artistic avenue through which political and social opposition manifests. Scholars have tried to come to terms with a highly critical culture produced within attempted state co-optation, and argue that politically critical culture operates as a “safety valve” to release frustrations so that dissenters are less likely to mobilize against the government. Through research fueled by a viewing of over two hundred and fifty miniseries ranging from the 1960s to the present—as well as an examination of hundreds of press reports, Facebook pages, and extensive interviews with drama creators—this book turns away from the dominant paradigm that focuses on regime intent. When turning attention instead to the drama creators themselves we witness the polyphony of voices employing love and marriage metaphors and gender (de)constructions to explore larger issues of nationalism, self-identity, and political critique. At the heart of constructions of femininity are the complications that arise with the symbiosis of pure femininity with authentic national identity. Deconstructing masculinity as political critique has been less complicated since it is not implicated in Western identity issues; on the contrary, illustrations of subservient masculinity serve to subtly denounce government corruption and oppression. Miniseries from the 1960s demonstrate that the focus of the qabaday (tough man) on female sexuality comes from his own political alienation vis-à-vis the state, and is part of a vicious cycle of state violence vis-à-vis the citizen. In recent years, and in particular after the uprising, we can see the emerging definition of the true qabaday as one who does not suppress a woman’s sexuality, thereby allowing for full equality in relationships as the basis of a truly free society.