Ford's exploration of calculated, personalized assassination draws on history, literature, law, philosophy, sociology, and religion. Addressing the vast array of cases and combing thousands of years of history, he asks most of all whether assassination works.

In this New York Times Notable Book, the Pulitzer Prize–finalist undertakes his own investigation into the murder of a Guatemalan bishop. Named a Best Book of the Year by the Washington Post Book World, the Chicago Tribune, the Economist, and the San Francisco Chronicle Two days after releasing a groundbreaking church-sponsored report implicating the military in the murders and disappearances of some two hundred thousand Guatemalan civilians, Bishop Juan Gerardi was bludgeoned to death in his garage. Gerardi was the country’s leading human rights activist, but the Church quickly realized it could not rely on police investigators or the legal system to solve the crime. Instead, Church leaders formed their own investigative team: a group of secular young men who called themselves Los Intocables—the Untouchables. Author Francisco Goldman spoke to witnesses no other reporter was able to reach, observing firsthand some of the most crucial developments in this sensational case. Documenting the Latin American reality of mara youth gangs and organized crime, The Art of Political Murder tells the incredible true story of Los Intocables and their remarkable fight for justice. “Becoming by turns a little bit Columbo, Jason Bourne and Seymour Hersh, Goldman gives us the anatomy of a crime while opening a window to a misunderstood neighboring country that is flirting with anarchy.” —The New York Times Book Review

A sweeping study of political murder in Latin America. This sweeping history depicts Latin America’s pan-regional culture of political murder. Unlike typical studies of the region, which often focus on the issues or trends of individual countries, this work focuses thematically on the nature of political murder itself, comparing and contrasting its uses and practices throughout the region. W. John Green examines the entire system of political murder: the methods and justifications the perpetrators employ, the victims, and the consequences for Latin American societies. Green demonstrates that elite and state actors have been responsible for most political murders, assassinating the leaders of popular movements and other messengers of change. Latin American elites have also often targeted the potential audience for these messages through the region’s various “dirty wars.” In spite of regional differences, elites across the region have displayed considerable uniformity in justifying their use of murder, imagining themselves in a class war with democratic forces. While the United States has often been complicit in such violence, Green notes that this has not been universally true, with US support waxing and waning. A detailed appendix, exploring political murder country by country, provides an additional resource for readers.

‘Written with Burleigh’s characteristic brio, with pithy summaries of historical moments (he is brilliant on the Americans in Vietnam, for example) and full of surprising vignettes’ – The Times ’Book of the Week’ In Day of the Assassins, acclaimed historian Michael Burleigh examines assassination as a special category of political violence and asks whether, like a contagious disease, it can be catching. Focusing chiefly on the last century and a half, Burleigh takes readers from Europe, Russia, Israel and the United States to the Congo, India, Iran, Laos, Rwanda, South Africa and Vietnam. And, as we travel, we revisit notable assassinations, among them Leon Trotsky, Hendrik Verwoerd, Juvénal Habyarimana, Indira Gandhi, Yitzhak Rabin and Jamal Khashoggi. Combining human drama, questions of political morality and the sheer randomness of events, Day of the Assassins is a riveting insight into the politics of violence. ‘Brilliant and timely . . . Our world today is as dangerous and mixed-up as it has ever been. Luckily we have Michael Burleigh to help us make sense of it.’ – Mail on Sunday

A powerful investigation into a grisly political murder and the authoritarian regime behind it: Do Not Disturb upends the narrative that Rwanda sold the world after one of the deadliest genocides of the twentieth century. We think we know the story of Africa’s Great Lakes region. Following the Rwandan genocide, an idealistic group of young rebels overthrew the brutal regime in Kigali, ushering in an era of peace and stability that made Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. But the truth was considerably more sinister. Vividly sourcing her story with direct testimony from key participants, Wrong uses the story of the murder of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s assassination.

'Then fall, Caesar!" -- Talking tyrannicide -- Caesar's murdered heirs -- Aftershocks.

Ever since Vladimir Putin came to power in Russia, his critics have turned up dead on a regular basis. According to Amy Knight, this is no coincidence. In Orders to Kill, the KGB scholar ties dozens of victims together to expose a campaign of political murder during Putin’s reign that even includes terrorist attacks such as the Boston Marathon bombing. Russia is no stranger to political murder, from the tsars to the Soviets to the Putin regime, during which many journalists, activists and political opponents have been killed. Kremlin defenders like to say, “There is no proof,” however convenient these deaths have been for Putin, and, unsurprisingly, because he controls all investigations, Putin is never seen holding a smoking gun. Orders to Kill is a story long hidden in plain sight with huge ramifications.