Can a football game affect the outcome of an election? What about shark attacks? Or a drought? In a rational world the answer, of course, would be no. But as bestselling historian Rick Shenkman explains in Political Animals, our world is anything but rational. Drawing on science, politics, and history, Shenkman explores the hidden forces behind our often illogical choices. Political Animals challenges us to go beyond the headlines, which often focus on what politicians do (or say they'll do), and to concentrate instead on what's really important: what shapes our response. Shenkman argues that, contrary to what we tell ourselves, it's our instincts rather than arguments appealing to reason that usually prevail. Pop culture tells us we can trust our instincts, but science is proving that when it comes to politics our Stone Age brain often malfunctions, misfires, and leads us astray. Fortunately, we can learn to make our instincts work in our favor. Shenkman takes readers on a whirlwind tour of laboratories where scientists are exploring how sea slugs remember, chimpanzees practice deception, and patients whose brains have been split in two tell stories. The scientists' findings give us new ways of understanding our history and ourselves -- and prove we don't have to be prisoners of our evolutionary past." In this engaging, illuminating, and often riotous chronicle of our political culture, Shenkman probes the depths of the human mind to explore how we can become more political, and less animal.

Political Animals offers a unique study and perspective on the relationship between politics and the art found in American zoos and aquariums. Jesse Donahue and Erik Trump examine the ways that zoos and aquariums have successfully served as sculptural gardens for the masses and have incorporated art and architecture that convey political messages about both the patrons and the animals. This book demonstrates how art has been used for a range of economic and political purposes including providing jobs, a medium to reach out to minority interest groups, a fundraising tool, and a surrogate for the animals themselves. Donahue and Trump skillfully analyze and compare zoos to other areas of public art to highlight the calculated strategies on the part of the zoos that have incorporated a range of artistic styles for different audiences. Incorporating photographs of zoo and aquarium art from around the country, Political Animals is an exciting and captivating text for the mind and eye.

This book compares and contrasts the response of the political systems in Britain and the United States to the rise of the animal protection movement and the growing societal concern for the well-being of animals.

Feminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinema; feminist porn screened at public festivals; Sweden's A-Markt for films that pass the Bechdel Test; and Pussy Riot's online videos sending shockwaves around the world. A new generation of feminist filmmakers, curators and critics is not only influencing contemporary debates on gender and sexuality, but starting to change cinema itself, calling for a film world that is intersectional, sustainable, family-friendly and far-reaching. Political Animals argues that, forty years since Laura Mulvey's seminal essay 'Visual Pleasure and Narrative Cinema' identified the urgent need for a feminist counter-cinema, this promise seems to be on the point of fulfilment. Forty years of a transnational, trans-generational cinema has given rise to conversations between the work of now well-established filmmakers such as Abigail Child, Sally Potter and Agnes Varda, twenty-first century auteurs including Kelly Reichardt and Lucretia Martel, and emerging directors such as Sandrine Bonnaire, Shonali Bose, Zeina Daccache, and Hana Makhmalbaf. A new and diverse generation of British independent filmmakers such as Franny Armstrong, Andrea Arnold, Amma Asante, Clio Barnard, Tina Gharavi, Sally El Hoseini, Carol Morley, Samantha Morton, Penny Woolcock, and Campbell X join a worldwide dialogue between filmmakers and viewers hungry for a new and informed point of view. Lovely, vigorous and brave, the new feminist cinema is a political animal that refuses to be domesticated by the persistence of everyday sexism, striking out boldly to claim the public sphere as its own.

In Man Is by Nature a Political Animal, Peter K. Hatemi and Rose McDermott bring together a diverse group of contributors to examine the ways in which evolutionary theory and biological research are increasingly informing analyses of political behavior. Focusing on the theoretical, methodological, and empirical frameworks of a variety of biological approaches to political attitudes and preferences, the authors consider a wide range of topics, including the comparative basis of political behavior, the utility of formal modeling informed by evolutionary theory, the genetic bases of attitudes and behaviors, psychophysiological methods and research, and the wealth of insight generated by recent research on the human brain. Through this approach, the book reveals the biological bases of many previously unexplained variances within the extant models of political behavior. The diversity of methods discussed and variety of issues examined here will make this book of great interest to students and scholars seeking a comprehensive overview of this emerging approach to the study of politics and behavior.

This book is the first interdisciplinary study of the representation of dogs in Russian discourse since the nineteenth century. Focusing on the correlation between humans and dogs in traditional belief systems, in literature, film and other cultural productions, it shows that the dog as a political construct incorporates various contradictions, with different representations investing the dog with multiple, often-paradoxical meanings – moral, social and philosophical. From the peasantry’s dislike of the gentry’s hunting dogs and children’s cruelty to dogs in Pushkin and Dostoevsky to the establishment of the Soviet dynasties of border guard and police dogs, from Pavlov’s laboratory dogs to the monuments to the cosmic dog Laika and the subversive dog impersonations by the contemporary performance artist Oleg Kulik, the book explores the intersections of species-class-gender-sexuality-race-disability and, paradoxically, of Arcadian and Utopian dreams and scientific deeds. This study contributes to the unfolding cultural history of human-animal relations across cultures.

People, as Aristotle said, are political animals. Mainstream political philosophy, however, has largely neglected humankind's animal nature as beings who are naturally equipped, and inclined, to reason and work together, create social bonds and care for their young. Stephen Clark, grounded in biological analysis and traditional ethics, probes into areas ignored in mainstream political theory and argues for the significance of social bonds which bypass or transcend state authority. Understanding the ties that bind us reveals how enormously capable we are in achieving civil order as a species. Stephen Clark advocates that a properly informed political philosophy must take into account the role of women, children, animals, minorities and the domestic virtues at large. Living and comnducting our political lives like the animals we are is a more congenial prospect than is usually supposed.