Edited by Joanne Asala, the stories are vividly and dramatically interpreted and portrayed in the paper-cuts (wycinaki) by Alice Wadowski-Bak, noted paper-cut and folkore artist.¶The work of Alice Wadowski-Bak, native of Niagara Falls, New York, is found in private collections and galleries worldwide. The art of wycinanki appeared in Poland in the middle of the 1800s, especially in rural areas where sheep shears were readily available. The method of folding, layering, coloring, and overlay is related to the ancient Chinese art of the block print. Artist Wadowski-Bak explores both wycinanki and oriental stencil cutting. Her origianl designs for this book attest to her exquisite artistry.¶This is a treasure of folk art and lore. A very special gift for personal collections.This book of engaging folk stories includes such tales as "The Violin," "The Headache Cure," "Midsummer's Eve," "The Flower Queen's Daughter," "The Legend of the North Wind," "The Flaming Castle," "The Village Dance," and "The Unfinished Tune."The stories were collected by Joanne Asala, with wycinanki (paper-cutting) illustrations by Polish-American artist Alice Wadowski-Bak.

Polish Customs, Traditions, & Folklore is organized by months beginning with December and Advent, St. Nicholas Day, the Wigilia (Christmas Eve) nativity plays, caroling and then New Year celebrations. It proceeds from the Shrovetide period to Ash Wednesday, Lent, the celebration of spring, Holy Week customs then superstitions, beliefs and rituals associated with farming, Pentecost, Corpus Christi, midsummer celebrations, harvest festivities, wedding rites, nameday celebrations, birth and death rituals. Line illustrations enhance this rich and varied treasury of folklore. Many of the customs and traditions found herein are extinct even in today's Poland. World wars, massive immigration, the loss of the oral tradition, urbanization and politics have changed the face of a once agrarian people and their accompanying life style. In the U.S., the desire for membership within the "melting pot", marriages outside one's ethnic group, movement to the suburbs away from the "old" communities where customs and traditions were once strong, further weakened the link. Although the purpose and meaning may have been lost and forgotten, the oczepiny ceremony (the unveiling) is still the mainstay of almost every wedding where the bride declares Polish heritage. Many Polish American communities still reenact the harvest celebrations, reminding themselves of their ancestors' reverence for the grains and gifts of bread. Eight million Americans still claim their ancestry as Polish, many still diligently practicing that which they learned at their parents' and grandparents' knees. Much has also been neglected or completely forgotten.

This volume on Polish and Slavic scholarship on folk segmentation and the symbolism of time applies cross-disciplinary methodologies - from religious studies, anthropology, psychology, philosophy and cultural studies - to several oral and written folktales. The detailed analysis of Polish and Slavic folklore concentrates primarily on magico-religious behaviours as they are practiced and analyzed in everyday life.

This study of Polish folk music is especially enlightening as it reveals both the history and practice of a musical tradition and offers an illuminating view of a culture and its social activities. Within her study, Anna Czekanowska analyses the vocal and instrumental traditions of Polish folk music, tracing the background history, the influences of geography and politics, and the practice, often within contemporary society, of such social events as the harvest, the solstice and weddings. The function of folk culture within contemporary life, for both Polish and non-Polish inhabitants of the country, is also examined. Professor Czekanowska also discusses the birth of Polish ethno- musicology as a discipline and details some methodological aspects for research. This study contributes to a greater understanding and appreciation of Polish music and, in a wider aspect, of Slavonic culture. The book contains numerous illustrations of instruments and cultural events, music examples, maps, a discography and bibliography.

Presents retellings of traditional Polish tales including How the princess learned to laugh, Pan Twardowski, Where devils are helpless, and The sorcerer's apprentice.

The book comprises the best of Polish folk tales as well as short stories by the most renowned Polish authors, such as: Henryk Sienkiewicz, Władysław St.Reymont, Bolesław Prus, Adam Szymanski, Stefan Zeromski, Juliusz Kaden-Bandrowski, Zofia Rygier-Nałkowska, Wacław Sieroszewski. It is undoubtedly the best compilation of Polish fairy tales and children's short stories.