Polis and Personification in Classical Athenian Art
Title | Polis and Personification in Classical Athenian Art PDF eBook |
Author | Amy C. Smith |
Publisher | BRILL |
Pages | 281 |
Release | 2011-06-22 |
Genre | Art |
ISBN | 9004194177 |
Ancient Greek artists pioneered in the allegorical use of personifications of political ideas, events, places, institutions, and peoples in visual arts. This book surveys and interprets these personifications within the intellectual and political climate of the golden age of Athens.
Monumenta Graeca et Romana: Polis and personification in classical Athenian art
Title | Monumenta Graeca et Romana: Polis and personification in classical Athenian art PDF eBook |
Author | H. F. Mussche |
Publisher | |
Pages | |
Release | 1963 |
Genre | Art, Greek |
ISBN |
Political Personifications in Classical Athenian Art
Title | Political Personifications in Classical Athenian Art PDF eBook |
Author | Amy Claire Smith |
Publisher | |
Pages | 0 |
Release | 1997 |
Genre | Art, Greek |
ISBN |
Political Personifications in Classical Athenian Art
Title | Political Personifications in Classical Athenian Art PDF eBook |
Author | Amy Claire Smith |
Publisher | |
Pages | 882 |
Release | 1997 |
Genre | Art, Greek |
ISBN |
Political Personifications in Classical Athenian Art
Title | Political Personifications in Classical Athenian Art PDF eBook |
Author | Amy C. Smith |
Publisher | |
Pages | |
Release | 1997 |
Genre | |
ISBN |
The Imagination of the Mind in Classical Athens
Title | The Imagination of the Mind in Classical Athens PDF eBook |
Author | Emily Clifford |
Publisher | Taylor & Francis |
Pages | 416 |
Release | 2023-07-14 |
Genre | History |
ISBN | 1000912671 |
This book explores the imaginative processes at work in the artefacts of Classical Athens. When ancient Athenians strove to grasp ‘justice’ or ‘war’ or ‘death’, when they dreamt or deliberated, how did they do it? Did they think about what they were doing? Did they imagine an imagining mind? European histories of the imagination have often begun with thinkers like Plato and Aristotle. By contrast, this volume is premised upon the idea that imaginative activity, and especially efforts to articulate it, can take place in the absence of technical terminology. In exploring an ancient culture of imagination mediated by art and literature, the book scopes out the roots of later, more explicit, theoretical enquiry. Chapters hone in on a range of visual and verbal artefacts from the Classical period. Approaching the topic from different angles – philosophical, historical, philological, literary, and art historical – they also investigate how these artefacts stimulate affective, sensory, meditative – in short, ‘imaginative’ – encounters between imagining bodies and their world. The Imagination of the Mind in Classical Athens offers a ground-breaking reassessment of ‘imagination’ in ancient Greek culture and thought: it will be essential reading for those interested in not only philosophies of mind, but also ancient Greek image, text, and culture more broadly.
Greek Art and Aesthetics in the Fourth Century B.C.
Title | Greek Art and Aesthetics in the Fourth Century B.C. PDF eBook |
Author | William A. P. Childs |
Publisher | Princeton University Press |
Pages | 592 |
Release | 2018-04-10 |
Genre | Art |
ISBN | 1400890519 |
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.