"This book takes you inside not only police investigations, but also the day-to-day world of police work. You'll learn how police officers work, when they work, what they wear, who they report to, and generally how they go about the business of controlling and investigating crime." "You'll find valuable information on how police officers are trained, and how they move through the ranks; the equipment they use, including firearms and investigative equipment; laws that govern and restrict police investigations, including "probable cause"; who has jurisdiction over what (state police? county sheriff? city police department?), and who does what - and when; developing suspect lists and descriptions; how evidence is handled, including the evidence room; how police officers prepare for court and the grand jury; investigative techniques for burglary and arson as well as homicide; how suspects are interrogated and handled; the police "mindset," and how police officers approach their jobs and the challenges they face; the specifics of internal investigations; records and reports, and how they are maintained." "Today's readers are more savvy than ever when it comes to crime and murder mysteries. With this comprehensive guide, your readers will be wondering "whodunit" - not questioning why your facts don't mesh."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In the United States, the exercise of police authority—and the public’s trust that police authority is used properly—is a recurring concern. Contemporary prescriptions for police reform hold that the public would better trust the police and feel a greater obligation to comply and cooperate if police-citizen interactions were marked by higher levels of procedural justice by police. In this book, Robert E. Worden and Sarah J. McLean argue that the procedural justice model of reform is a mirage. From a distance, procedural justice seemingly offers a relief from strained police-community relations. But a closer look at police organizations and police-citizen interactions shows that the relief offered by such reform is, in fact, illusory.

No one saw her leave, and no one knows where she went... It's a perfectly typical day for Lowell Mitchell at her perfectly ordinary university in Massachusetts. She goes to class, chats with friends, and retires to her dorm room. Everything is normal until suddenly it's not—in the blink of an eye, Lowell is gone. Facts are everything for Police Chief Frank Ford. He's a small-town cop, and he knows only hard evidence and thorough procedure will lead him to the truth. Together with the wise-cracking officer Burt Cameron, the grizzled chief will deal with the distraught family, chase dead-end leads, interrogate shady witnesses, and spend late nights ruminating over black coffee and cigars. Everyone tells him what a good, responsible girl Lowell is. But Ford believes that Lowell had a secret and that if he can discover it, this case will crack wide open. Considered one of the first-ever police procedurals and hailed as an American mystery milestone, Last Seen Wearing—based on a true story—builds suspense through its accurate portrayal of an official police investigation. Hillary Waugh, who earned the title of Grand Master from the Mystery Writers of America, went on to create several memorable series, but this classic crime novel ranks among his finest work. This next installment in the Library of Congress Crime Classics series will keep readers in suspense until the final page.

In the late 1940s and early 1950s a new kind of detective story appeared on the scene. This was a story in which the mystery is solved by regular police detectives, usually working in teams and using ordinary police routines. This kind of narrative is customarily called the "police procedural" story. And it is the subject of this book. Though there has been numberless writers of these stories, there has never been a book of criticism before.

This new, fully updated edition of The Crime Writer's Guide to Police Practice and Procedure is the essential detective in your pocket - something to reach for when your writing needs that short, sharp shock of modern-day investigating. Every writer has paused at some key point in the development of their story to wonder what happens in real life. How would the murder in my story be investigated by the police? How far can I go without leaving holes in the plot? Can I use low count DNA to identify the killer? How does a cop react to a bloated body or, even worse, just part of one? Written with answers to these questions in mind, this is the essential guide to police procedures and practice written specifically for writers. A handy reference book to dip into, or a textbook to guide you from the outset while you are still developing your plot, this second edition of The Crime Writer's Guide to Police Practice and Procedure will leave you confident that you have covered all angles of your thriller. It would be a crime not to read it!

A confession fifty years in the making puts everyone’s favorite Paris détéctive très chic, Aimée Leduc, on a collision course with the “Hand,” a cabal of corrupt Parisian cops among who masterminded her father's murder—and among whose ranks he might have once found membership. When a friend’s child is kidnapped while wearing her daughter’s hoodie, Aimée realizes that the case has crossed into the realm of the personal in more ways than one. A dying man drags his oxygen machine into the office of Éric Besson, a lawyer in Paris’s 13th arrondissement. The old man, an accountant, is carrying a dilapidated notebook full of meticulous investment records. For decades, he has been helping a cadre of dirty cops launder stolen money. The notebook contains his full confession—he’s waited 50 years to make it, and now it can’t wait another day. He is adamant that Besson get the notebook into the hands of La Proc, Paris’s chief prosecuting attorney, so the corruption can finally be brought to light. But en route to La Proc, Besson’s courier—his assistant and nephew—is murdered, and the notebook disappears. Grief-stricken Éric Besson tries to hire private investigator Aimée Leduc to find the notebook, but she is reluctant to get involved. Her father was a cop and was murdered by the same dirty syndicate the notebook implicates. She’s not sure which she’s more afraid of, the dangerous men who would kill for the notebook or the idea that her father’s name might be among the dirty cops listed within it. Ultimately that’s the reason she must take the case, which leads her across the Left Bank, from the Cambodian enclave of Khmer Rouge refugees to the ancient royal tapestry factories to the modern art galleries.

From Tony Hillerman's Navajo Southwest to Martin Cruz Smith's Moscow, an exotic, vividly described locale is one of the great pleasures of many murder mysteries. Indeed, the sense of place, no less than the compelling character of the detective, is often what keeps authors writing and readers reading a particular series of mystery novels. This book investigates how "police procedural" murder mysteries have been used to convey a sense of place. Gary Hausladen delves into the work of more than thirty authors, including Tony Hillerman, Martin Cruz Smith, James Lee Burke, David Lindsey, P. D. James, and many others. Arranging the authors by their region of choice, he discusses police procedurals set in America, the United Kingdom and Ireland, Europe, Moscow, Asia, and selected locales in other parts of the world, as well as in historical places ranging from the Roman Empire to turn-of-the-century Cairo.