The lives and adventures of seven intrepid women are revealed in “this gem of a book . . . as captivating as the northern landscape itself” (Portland Book Review). Polar explorers were the superstars of the "heroic age" of exploration, a period spanning the Victorian and Edwardian eras. In Polar Wives, Kari Herbert reveals the unpredictable, often heartbreaking lives of seven remarkable women whose husbands became world-famous for their Arctic and Antarctic expeditions. As the daughter of a polar explorer, Herbert brings a unique and intimate perspective to these stories. In her portraits of the gifted sculptor Kathleen Scott; eccentric traveler Jane Franklin; spirited poet Eleanor Anne Franklin; Jo Peary, the first white woman to travel and give birth in the High Arctic; talented and determined Emily Shackleton; Norwegian singer Eva Nansen; and her own mother, writer and pioneer Marie Herbert, Kari Herbert blends deeply personal accounts of longing, betrayal, and hope with stories of peril and adventure. Previously consigned to historical footnotes, these pioneering women played vital roles in their husbands' expeditions. Their stories—many drawn from previously unpublished journals and letters—take us not only to the polar wastelands but also through war-torn Macedonia, the lawless outback of Australia, and the plague-riddled ancient cities of the Holy Land.

First published as: Polar wives by Greystone Books, Vancouver, BC, 2012.

"Bude" describes the interactions of two different cultures and religions not only separated by the ocean but also by distance. Polar, a character in "Bude" depicts the culture and the religion of the Igodo people prior to an external cultural and religious influences while Bude the main character of the book depicts the transformation process of the culture and religion of the same Igodo people during the external cultural and religious interactions. "Bude" shows that the original culture and religion of a people are dependent on the peoples environment and experience and should not be judged by others but respected. The Igodo people were aware that their culture and religion were under attack in the name of education and religion but their desire for education without the necessary funding made them vulnerable to the external cultural and religious influences. The book concluded that a more financially stable culture and religion will dominate others after interactions. "Bude" is original and the contents are actual events of the nineteenth and the twentieth centuries colonization of an ancient nation and it is based on actual people and places with the names changed. Daniel Iyeks, the author of this book was an observer at the time and he was also a part of that transformation. It is memorable because "Bude" depicts how most of the world was colonized by the western powers without the use of any weapons and that the approach could be applied in most of the world volatile places today.

New paperback edition - A moving and original account of the effect of Scott's tragic expedition on the men's wives and families, who fame and history have overlooked.

Beginning with Robert Flaherty's Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept of the Arctic as it is represented in documentary filmmaking, while challenging the notion of "The Arctic" as a homogenous entity that obscures the environmental, historical, geographic, political, and cultural differences that characterize the region. By examining how the Arctic is imagined, understood, and appropriated in documentary work, the contributors argue that such films are key in contextualizing environmental, indigenous, political, cultural, sociological, and ethnographic understandings of the Arctic, from early cinema to the present. Understanding the role of these films becomes all the more urgent in the present day, as conversations around resource extraction, climate change, and sovereignty take center stage in the Arctic's representation.

Jackie Ronne reclaims her rightful place in polar history as the first American woman in Antarctica. Jackie was an ordinary American woman whose life changed after a blind date with rugged Antarctic explorer Finn Ronne. After marrying, they began planning the 1946–1948 Ronne Antarctic Research Expedition. Her participation was not welcomed by the expedition team of red-blooded males eager to prove themselves in the frozen, hostile environment of Antarctica. On March 12, 1947, Jackie Ronne became the first American woman in Antarctica and, months later, one of the first women to overwinter there. The Ronne Antarctic Research Expedition secured its place in Antarctic history, but its scientific contributions have been overshadowed by conflicts and the dangerous accidents that occurred. Jackie dedicated her life to Antarctica: she promoted the achievements of the expedition and was a pioneer in polar tourism and an early supporter of the Antarctic Treaty. In doing so, she helped shape the narrative of twentieth-century Antarctic exploration.

This handbook brings together recent and emerging research in the broad areas of women and gender studies focusing on pre-revolutionary Russia, the Soviet Union and the post-Soviet Russian Federation. For the Soviet period in particular, individual chapters extend the geographic coverage of the book beyond Russia itself to examine women and gender relations in the Soviet ‘East’ (Tatarstan), Central Asia (Kazakhstan, Tajikistan and Uzbekistan) and the Baltic States (Estonia, Latvia and Lithuania). Within the boundaries of the Russian Federation, the scope moves beyond the typically studied urban centres of Moscow and St Petersburg to examine the regions (Krasnodar, Novosibirsk), rural societies and village life. Its chapters examine the construction of gender identities and shifts in gender roles during the twentieth century, as well as the changing status and roles of women vis-a-vis men in Soviet political institutions, the workplace and society more generally. This volume draws on a broad range of disciplinary and methodological approaches currently being employed in the academic field of Russian studies. The origins of the individual contributions can be identified in a range of conventional subject disciplines – history, literature, sociology, political science, cultural studies – but the chapters also adopt a cross- and inter-disciplinary approach to the topic of study. This handbook therefore builds on and extends the foundations of Russian women’s and gender studies as it has emerged and developed in recent decades, and demonstrate the international, indeed global, reach of such research