Pola Negri, born Apollonia Chapulek in Poland, was a singer, stage and film actress who achieved worldwide fame during the silent and golden eras of Hollywood and European film for her tragedienne and femme fatale roles. Her career on stage began in 1913, but as WWI devastated those venues, she relocated to Germany, to become a star in silent films. American Director Adolph Zukor lured her to Paramount in 1921, for one of her most productive decades. She married glamorously, to Polish Count Eugene Dambski and Georgian Prince Serge Mdivani, but her liaisons were even more fabulous: Charles Chaplin, millionaires Wolfgang George Schleber (German) and Glen Kidston (British), but it was the great Latin lover Rudolph Valentino who won her lasting regard, despite only one year of happiness. This book is her story of her storied life.

Femme fatale Pola Negri (1897-1987) was one of the great stars of the silent film era, an actress whose personal story of hardships and successes, loves and tragedies is more compelling than most Hollywood dramas. Yet today she is largely overlooked, her name tarnished by myths and scandals. Taking a fresh look at her life and career, this book debunks the myths and gossip, presenting a candid portrait of one of the silent screen's most sensational leading ladies. Rare photographs are included, along with in-depth discussions of her films.

Her films were silent. She wasn't. Meet POLA NEGRI, the glamorous "vamp" who took Hollywood by storm in the Roaring Twenties. Already renowned in Europe for her acting talent, beauty, and passion, Negri quickly made her mark in dramatic black and white, both onscreen and off. Vivid. Wild. Threatening. Gorgeous. Exotic. Temperamental. Pola Negri was called all that, and more. Love affairs with Charlie Chaplin, Rudolph Valentino, and a self-styled prince-and equally tempestuous relationships with colleagues, critics, the press, and the fans-kept Negri in the front page news. She wouldn't have had it any other way. Tony Villecco, author of the critically acclaimed Silent Stars Speak, shares his lifelong fascination with Negri. Features: 100+ photographs (several never before available to the public) Reminiscences from Negri's colleagues and acquaintances, including film historian Kevin Brownlow Filmography of Negri's work in American cinema, 1922-1964 Accounts from fan magazines, newspapers, other publications, and correspondence POLA NEGRI: THE HOLLYWOOD YEARS is not intended to be a complete historical retrospective or analysis of Pola Negri's films. Rather, it offers today's readers and film fans an intriguing glimpse into the life, times, and persona of a "silent" star who lived at full volume during the Golden Era of film.

Weaving together universal themes of family, geography, and death with images of America's frontier landscape, former Kentucky Poet Laureate Joe Survant has been lauded for his ability to capture the spirit of the land and its people. Kliatt magazine has praised his work, stating, "Survant's words sing.... This is storytelling at its best." Exploring the pre-Columbian and frontier history of the commonwealth, The Land We Dreamed is the final installment in the poet's trilogy on rural Kentucky. The poems in the book feature several well-known figures and their stories, reimagining Dr. Thomas Walker's naming of the Cumberland Plateau, Mary Draper Ingles's treacherous journey from Big Bone Lick to western Virginia following her abduction by Native Americans, and Daniel Boone's ruminations on the fall season of 1770. Survant also explores the Bluegrass from the perspectives of the chiefs of the Shawnee and Seneca tribes. Drawing on primary documents such as the seventeenth-century reports of French Jesuit missionaries, excerpts from the Draper manuscripts, and the journals of pioneers George Croghan and Christopher Gist, this collection surveys a broad and under-recorded history. Poem by poem, Survant takes readers on an imaginative expedition -- through unspoiled Shawnee cornfields, down the wild Ohio River, and into the depths of the region's ancient coal seams.

Off-White Hollywood investigates how the 'ethnicity' of white European-American actresses has played a key role in the mythology of American identity and nation building. Negra focuses on key stars of the silent - Colleen Moore and Pola Negri - classical - Sonja Henie and Hedy Lamarr - and post-classical eras - Marisa Tomei and Cher - to demonstrate how each star illuminates aspects of ethnicity, gender, consumerism, and class at work in American culture.

From one of America's most renowned film scholars: a revelatory, perceptive, and highly readable look at the greatest silent film stars -- not those few who are fully appreciated and understood, like Chaplin, Keaton, Gish, and Garbo, but those who have been misperceived, unfairly dismissed, or forgotten. Here is Valentino, "the Sheik," who was hardly the effeminate lounge lizard he's been branded as; Mary Pickford, who couldn't have been further from the adorable little creature with golden ringlets that was her film persona; Marion Davies, unfairly pilloried in Citizen Kane; the original "Phantom" and "Hunchback," Lon Chaney; the beautiful Talmadge sisters, Norma and Constance. Here are the great divas, Pola Negri and Gloria Swanson; the great flappers, Colleen Moore and Clara Bow; the great cowboys, William S. Hart and Tom Mix; and the great lover, John Gilbert. Here, too, is the quintessential slapstick comedienne, Mabel Normand, with her Keystone Kops; the quintessential all-American hero, Douglas Fairbanks; and, of course, the quintessential all-American dog, Rin-Tin-Tin. This is the first book to anatomize the major silent players, reconstruct their careers, and give us a sense of what those films, those stars, and that Hollywood were all about. An absolutely essential text for anyone seriously interested in movies, and, with more than three hundred photographs, as much a treat to look at as it is to read.

2020 Best Early Career Research Monograph, Monash University Malaysia Damsels and Divas investigates the meanings of Europeanness in Hollywood during the 1920s by charting professional trajectories of three movie stars: Pola Negri, Vilma Bánky and Jetta Goudal. It combines the investigation of American fan magazines with the analysis of studio documents, and the examination of the narratives of their films, to develop a thorough understanding of the ways in which Negri, Bánky and Goudal were understood within the realm of their contemporary American culture. This discussion places their star personae in the context of whiteness, femininity and Americanization. Every age has its heroines, and they reveal a lot about prevailing attitudes towards women in their respective eras. In the United States, where the stories of rags-to-riches were especially potent, stars could offer models of successful cultural integration.