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Although technically puppies are young dogs, Puppy Pal Pointers: From the True Tails of Ripple and Jessie relates to dogs of all ages. The book consists of subjects that are pertinent to every devoted owner, including caring for, treating, understanding, treasuring, bonding with, and grieving for your cherished dog, plustips on pet care for kids. Topics pertaining to dog care and responsible ownership are covered, such as parasite control, hygiene, overpopulation concerns, relationships with cats, the human-animal bond, pet loss, and the grief process. Puppy Pal Pointers is different from other books on pet carebecause it is told through the sage eyes of two beloveddogs (as shared with Pamela J. Wilson), including one who fearlessly faced life's challenges with only three legs.Endearing pictures of them in various activities, along with photos of theirpreciouscanine and feline peers, are used to accentuate points.The wise teachings of charming fictional friends, both furry and feathered,can be foundin thefollowing childrens books, whichwere written by the person who belongs to Ripple and Jessie:Tales From Tubblewood: A Duck For All Seasons and Tales From Tubblewood Too: Miss Duck to the Rescue. (www.Tubblewoodtales.com)

This novel, "Mama's Boy," is about a pathologically shy, pigeon-toed boy, Peter Macaulay, who everybody, including his parents, considers mentally retarded and incredibly awkward physically. He has no friends and relates only to his mother, Elizabeth, even though when drunk she abuses him verbally and often slaps him. On the eve of high school, a gifted teacher and tutor, Ellen Marie Gaffney, is brought into Peter's life by his father, Jack, who is embarrassed by his son known at school as "The Geek." Jack hopes Miss Gaffney can prepare Peter academically for high school. The father also bribes the school principal with a $10,000 check to have Peter placed on the all-black basketball team. Two blacks, Fred "Sweetie" Davis and James "Big Daddy" Winkfield, take Peter under their wings, although other blacks bully him physically and verbally, often threatening his life. The female protagonist of the novel, 21-year-old Nora Quindt, a senior at the University of California at Berkeley, becomes Peter's second tutor, and through her growing emotional attachment to this 16-year-old "child" becomes part of the black basketball world of Castlemont High School in Oakland, California. The overall theme of this novel revolves around black-white relations in America. The author, Peter Clark, went to Castlemont, an inner-city school that was 60 percent black in 1958-1961, and was personal friends with Fred Davis and James Winkfield.

While compilers for high-level programming languages are large complex software systems, they have particular characteristics that differentiate them from other software systems. Their functionality is almost completely well-defined – ideally there exist complete precise descriptions of the source and target languages, while additional descriptions of the interfaces to the operating system, programming system and programming environment, and to other compilers and libraries are often available. The implementation of application systems directly in machine language is both difficult and error-prone, leading to programs that become obsolete as quickly as the computers for which they were developed. With the development of higher-level machine-independent programming languages came the need to offer compilers that were able to translate programs into machine language. Given this basic challenge, the different subtasks of compilation have been the subject of intensive research since the 1950s. This book is not intended to be a cookbook for compilers, instead the authors' presentation reflects the special characteristics of compiler design, especially the existence of precise specifications of the subtasks. They invest effort to understand these precisely and to provide adequate concepts for their systematic treatment. This is the first book in a multivolume set, and here the authors describe what a compiler does, i.e., what correspondence it establishes between a source and a target program. To achieve this the authors specify a suitable virtual machine (abstract machine) and exactly describe the compilation of programs of each source language into the language of the associated virtual machine for an imperative, functional, logic and object-oriented programming language. This book is intended for students of computer science. Knowledge of at least one imperative programming language is assumed, while for the chapters on the translation of functional and logic programming languages it would be helpful to know a modern functional language and Prolog. The book is supported throughout with examples, exercises and program fragments.

RECLUSE is not only about the one who lives a solitary life. But it’s also about the ones who lost themselves in a process called life and who mastered their solitary life which later on resulted in the thing they always craved for. This book manifests a basketball player’s life whose career got ditched by his fellow player as an act of revenge. Later on, the hero was humiliated and defamed by him. But still with a lot of tranquillity inside, the hero never had a thought of taking revenge against him. When the hero almost gave up on his life in order to face the hurdles by his fellow player, he found his soulmate who stood firmly with him to make his life a hurdle-free one. In the end, the Indian basketball team abolishes the hero’s forbid by knowing the concealed secrets regarding the misfortunes of his fellow player which lead to a stronger comeback of the hero. Startlingly, the hero’s fellow player isn’t a bad person, but his sole circumstance made him switch his character, attitude, and behavior which triggered an enhancement of his grudge and envy against the world.

Kit provides materials to act out the book by Denise Fleming.

Fifteen-year-old Alice dreams of her first kiss, has sleepovers, auditions for Our Town, and tries to pass high school biology. It's 1975, and at first look, her life would seem to be normal and unexceptional. But in the world that Leslie Pietrzyk paints, every moment she chronicles is revealed through the kaleidoscope of loss, stained by the fact that Alice's mother, without warning, note, or apology, deliberately parks her car on the railroad tracks, in the path of an oncoming train. In the emotional year that follows, Alice and her older brother find themselves in the care of their great aunt, forced to cope and move forward. Lonely and confused, Alice absorbs herself in her mother Annette's familiar rituals, trying to recapture their connection -- only to be stunned by the sound of her mother's voice speaking to her, engaging Alice in "conversations" and offering some insight into the life that she had led, beyond her role as Alice's mother.