A satiric view of intellectual life in the '20s and is populated with characters based on such celebrities of the time as D.H. Lawrence, KatherineMansfield, Sir Oswald Mosley, Nancy Cunard, and John Middleton Murray, aswell as Huxley himself.

This volume introduces readers to the central debates oforganization studies through a series of 'point' and 'counterpoint'debates by major figures in the field. Introduces readers to the central tensions and debates oforganization studies. Celebrates the productive heterogeneity of the field by placingcompeting perspectives side by side. Includes contributions from major figures in the field. Structured in an innovative 'point' and 'counterpoint'format.

"Published in association with the Society for Human Resource Management, Alexandria, Virginia."

“[Russo’s] first novel in ten years hits the ball out of the park. . . . You’ll lap up this gripping, wise, and wonderful summer treat.” —The Boston Globe “A cascade of charm. . . . Russo is an undeniably endearing writer, and chances are this story will draw you back to the most consequential moments in your own life.”—The Washington Post One beautiful September day, three men in their late sixties convene on Martha's Vineyard, friends ever since meeting in college in the sixties. They couldn't have been more different then, or even today—Lincoln's a commercial real estate broker, Teddy a tiny-press publisher, and Mickey is a musician beyond his rockin' age. But each man holds his own secrets, in addition to the monumental mystery that none of them has ever stopped puzzling over since a Memorial Day weekend right here on the Vineyard in 1971. Now, forty-five years later, three lives and that of a significant other are put on displaywhile the distant past confounds the present ina relentless squall of surprise and discovery. Shot through with Russo's trademark comedy and humanity, Chances Are . . . introduces a new level of suspense and menace that will quicken the reader's heartbeat throughout this absorbing saga.

The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.

Discusses the juvenile court system and recent trends toward sentencing juveniles as adults.