For bibliophiles who love Rita Mae Brown and Alexander McCall Smith comes the latest witty story in the beloved series set at Virginia’s book-themed resort, Storyton Hall, from the New York Times bestselling author. In this latest literary mystery, a killer inspired by Lord Alfred Tennyson’s “The Lady of Shallot” doesn’t stanza chance with resort manager Jane Steward is on the case! When corpses clutching poems begin turning up around Storyton Hall, Jane Steward is on the trail of someone exercising poetic license to kill and is determined to keep her fairytale resort from turning into a southern gothic… As Jane eagerly anticipates the wedding of her best friend Eloise Alcott, Storyton Hall is overrun with poets in town to compete for a coveted greeting card contract. They’re everywhere, scrawling verses on cocktail napkins in the reading rooms or seeking inspiration strolling the Poet’s Walk, a series of trails named after famous authors. But the Tennyson Trail leads to a grim surprise: a woman’s corpse drifting in a rowboat on a lake, posed as if she were “The Lady of Shallot.” When a second body is discovered,also posed as a poetic character, a recurring MO emerges. Fortunately, Jane is well versed in sleuthing and won’t rest until she gives the killer a taste of poetic justice…

The witty new story from the bestselling author of The Secret Book & Scone Society series is perfect for bibliophiles who love a A Bookish Cook-Off with a little murder on the side… “Love Chopped and mysteries? This delightful character-driven cozy is just the treat for you.” —Kirkus Reviews Six chefs are preparing to compete in an outdoor tent at Storyton Hall in Virginia for prizes that will boost their careers—but is there someone who can’t stand the heat? It looks that way when one of the contestants is found dead in a pantry packed with two centuries’ worth of cookbooks, among other treasures and rarities. Could there be a connection to other recent events in town, like tampering with the costume of a local mascot? Jane isn’t sure, but after someone serves a second course of murder, the kitchen must be closed and the killer must be found . . . “Readers will find themselves wanting to live in Storyton, no matter how many people end up dead there.” —Suspense Magazine on Murder in the Locked Library

For bibliophiles who love Rita Mae Brown and Alexander McCall Smith comes the latest witty story in the beloved series set at Virginia’s book-themed resort, Storyton Hall, from the New York Times bestselling author. In this latest literary mystery, a killer inspired by Lord Alfred Tennyson’s “The Lady of Shallot” doesn’t stanza chance with resort manager Jane Steward is on the case! When corpses clutching poems begin turning up around Storyton Hall, Jane Steward is on the trail of someone exercising poetic license to kill and is determined to keep her fairytale resort from turning into a southern gothic… As Jane eagerly anticipates the wedding of her best friend Eloise Alcott, Storyton Hall is overrun with poets in town to compete for a coveted greeting card contract. They’re everywhere, scrawling verses on cocktail napkins in the reading rooms or seeking inspiration strolling the Poet’s Walk, a series of trails named after famous authors. But the Tennyson Trail leads to a grim surprise: a woman’s corpse drifting in a rowboat on a lake, posed as if she were “The Lady of Shallot.” When a second body is discovered, also posed as a poetic character, a recurring MO emerges. Fortunately, Jane is well versed in sleuthing and won’t rest until she gives the killer a taste of poetic justice… “Readers will enjoy the plot twists and the literary frame.” —Booklist

In the twentieth century no form of experience has been more frequently taken up by poets eager to capture both the openness and fluidity of life and the aesthetic closure of an artwork than that of a walk. Examining the walk poem, Roger Gilbert contends that at its heart is the "desire to keep what we have lived." What is the appeal of the walk poem for modern American poets? According to Gilbert, it provides a ready-made frame within which to explore the full range of individual consciousness as it responds to and reflects on the world immediately at hand. The unstructured, plotless character of the walk allows poets to move freely from place to place, image to image, thought to thought. Suggesting that the walk poem strikes a compromise between the American obsession with process or movement and more traditionally mimetic concerns, Gilbert shows how it enables the poet to apprehend the world as horizon rather than landscape. Through perceptive and extended analyses of walk poems by Frost, Stevens, Williams, Roethke, Bishop, O'Hara, Snyder, Ammons, and Ashbery, he uncovers a spectrum of representational strategies for transforming passing experiences into the more lasting substance of poetry. Walks in the World addresses anyone who takes poetry seriously. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.