Poetry in the Mind is the first book-length cognitive analysis focused entirely on 21st century poetic texts and their conceptual effects. Addressing central poetic notions or features of poetic style from an innovative cognitive perspective, the book sheds new light on established ideas about poetic creativity and language.

A Gate Enables passage between what is inside and what is outside, and the connection poetry forges between inner and outer lives is the fundamental theme of these nine essays. Nine Gates begins with a close examination of the roots of poetic craft in "the mind of concentration" and concludes by exploring the writer's role in creating a sense of community that is open, inclusive and able to bind the individual and the whole in a way that allows each full self-expression. in between, Nine Gates illumines the nature of originality, translation, the various strategies by which meaning unfolds itself in language, poetry's roots in oral memory and the importance of the shadow to good art. A person who enters completely into the experience of a poem is initiated into a deeper intimacy with life. Delving into the nature of poetry, Jane Hirshfield also writes on the nature of the human mind, perception and experience. Nine Gates is about the underpinnings of poetic craft, but it is also about a way of being alive in the world -- alertly, musically, intelligently, passionately, permeably. In part a primer for the general reader, Nine Gates is also a manual for the working writer, with each "gate" exploring particular strategies of language and thought that allow a poem to convey meaning and emotion with clarity and force. Above all, Nine Gates is an insightful guide to the way the mind of poetry awakens our fundamental consciousness of what can be known when a person is most fully alive.

Cover -- POETRY AND MIND -- Title -- Copyright -- PREFACE -- NOTES -- INDEX

An examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity. In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor and mind. Holyoak uses Whitman's poem “A Noiseless Patient Spider” to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge—who called poetry “the best words in their best order”—and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration “the brain is wider than the sky,” Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.

THIS BOOK WRITTEN by Edwin Debiew is a book of suddenthoughts which came over his mind within the last few months.Edwin wanted to capture those thoughts in writing and decided to try hishand at poetry. Edwin Debiew is a poet who thinks outside of the normalpoetic structure and conforms to his own rules of writing poetry. He writesfrom his impromptu thoughts and allows the poems to develop in his mindwhile formulating the final product. Edwin's ink pen adapts a mind of itsown and cuts like a sword when needed, and paints like a new brush at times.Edwin creates poems just like a lyricist who recites verse after verse-usingvarious rhyme schemes. Poetry defined is a freedom of expression that is fluidlike water. Simply meaning, poetry can mean many things to many people,but the greatest thing about the meaning, is that it is whatever you want it tobe. Of course, there has to be some grammatical and thematic cohesion, butthe meaning can span from A to Z, if your mind flows freely. The process ofaligning words concertedly to arrive at a point with the intention to generatefeelings is a good definition! This is Edwin Debiew's definition of poetry.His new book, Impromptu Poetry, "Thoughts On My Mind" possessesvarious thought provoking themes, while showing a variety of rhymeschemes. Edwin uses real life examples of joy and daily issues and turns theminto short poetic stories for readers to build upon. From short tanaga's andclerihew's, Edwin flows long with "The Opposite of Invictus" and "R&BSongs and Memories."Moreover, Impromptu Poetry is Edwin's story as he progresses in life. Hispoems expounds on past experiences, perceptions by others and relationshipswith others of the world. Edwin gives credence in love poems for women-todeclare their great place in society. Impromptu Poetry will make many laugh,think, invoke inner feelings and motivate and guide people through themind of a man who continues to strive for the best life has to offer!

In the deeply personal Decade of the Brain, Janine Joseph writes of a newly-naturalized American citizen who suffers from post-concussive memory loss after a major auto accident. The collection is an odyssey of what it means to recover—physically and mentally—in the aftermath of trauma and traumatic brain injury, charting when “before” crosses into “after.” Through connected poems, buckling and expansive syntax, ekphrasis, and conjoined poetic forms, Decade of the Brain remembers and misremembers hospital visits, violence and bodily injury, intimate memories, immigration status, family members, and the self. After the accident I turned out all of the lights in the room while I watched, concussed, from the mirror. I edged like a fever with nothing on the tip of my tongue.

Chinese Poetry in Times of Mind, Mayhem and Money is a groundbreaking study covering a range of contemporary authors and issues, from Haizi to Yin Lichuan and from poetic rhythm to exile-bashing. Its rigorous scholarship, literary sensitivity and lively style make it eminently fit for classroom use.