An extended treatment of the complex, changing relationship between poetry and the visual arts.

In this, the only full-length study of the visual poetry of the early twentieth century, Willard Bohn expertly illuminates the works of Apollinaire, Josep-Maria Junow, Guillermo de Torre, and others. His fascinating aesthetic insights bring to life this elusive and often misunderstood genre. "An important contribution. Highly sophisticated, the study tends to raise its reader's impression of visual poetry in the twentieth century from trivial pastime to serious preoccupation."—Eric Sellin, Journal of Modern Literature "With his definitive analyses full of quotable observations and sharp critical insights, Bohn has provided a model, pioneering study, one from which current and future studies of visual poetry will most certainly benefit."—Gerald J. Janacek, Romance Quarterly "Bohn substantiates his thesis with thoughtful and often ingenious explications of texts both well known and hard to find. . . . Aesthetics of Visual Poetry is a thoroughly researched, beautifully written and fascinating introduction to an infinitely intriguing genre."—Mechthild Cranston, French Review

Cover -- Title -- Copyright -- Contents -- PREFACE AND ACKNOWLEDGMENTS -- INTRODUCTION: TWOMBLY'S BOOKS -- 1 MEDITERRANEAN PASSAGES: RETROSPECT -- 2 PSYCHOGRAM AND PARNASSUS: HOW (NOT) TO READ A TWOMBLY -- 3 TWOMBLY'S VAGUENESS: THE POETICS OF ABSTRACTION -- 4 ACHILLES' HORSES, TWOMBLY'S WAR -- 5 ROMANTIC TWOMBLY -- 6 THE PASTORAL STAIN -- 7 PSYCHE: THE DOUBLE DOOR -- 8 TWOMBLY'S LAPSE -- POSTSCRIPT: WRITING IN LIGHT -- NOTES -- BIBLIOGRAPHY -- INDEX

Rainbow Inspirations in Art, written collectively by a group of four expert researchers, focuses on a most intriguing subject: the function of color metaphors in the arts. This book includes conclusive discussions with regards to color metaphors in three domains: poetry, visual art and music. Conclusions are based on theoretical and empirical inquiry in the respective disciplines. Innovative areas of research are included in the book, such as the function of color in children's poetry and color-hearing metaphors (chromaesthesia) among listeners who encounter classical music. This book consists of a prologue, seven chapters, and an epilogue. The prologue explains color metaphor as a cross-disciplinary phenomenon. The chapters are divided into two broad sections: Section A (Chapters One through Four) contains four theoretical studies; Section B (Chapters Five through Seven) presents three empirical studies. The epilogue offers a novel viewpoint of counter-color metaphors (abbreviated CoCoM). Color metaphors are laden with symbolism, signs and cultural connotations that artists use in imaginative ways. In this book, the authors explore color metaphors as they contribute to our understanding of the arts. This book includes a comprehensive, updated literature review, which provides background information and new insights into the meaning of color metaphors in the arts. Academic readers and researchers may find valuable information in this book through the study of color metaphors, bridging the arts.