This book contributes to a re-visioning of the literature of revolutions, repositioning the writings of Subcomandante Marcos as quasi-“indigenous” literary texts. Highlights include a study of the role of Zapatista mythopoetics in re-imagining the nature of revolution; and an examination of how a native subculture and cosmovision were made intelligible to an international audience. Close readings of a group of stories, essays and communiques by Marcos explore the emergence of a thoroughly hybrid literary style. These texts are analyzed in relation to existing genres such Native American literature, environmental literature, and the literature of the Mexican revolution. The book shows that, while Marcos employs the iconography of Che Guevara, Zapata, et al, and in some ways furthers the “romance of revolution” for an electronically networked world, he has also popularized on an international stage the post-Cold War aspiration to “change the world without taking power.”

This book offers a “big picture” view of three universal themes, as seen in literary representations: sea-crossing tales, human-animal relations, and (late) father-son relationships. Seen in triptych, these writings demonstrate how passing between worlds and across cultures has become the normative human condition. Authors analyzed within a hemispheric and post-national frame include works by Ernest Hemingway, J.M. Coetzee’s late Jesus novels, and Esmeralda Santiago’s When I Was Puerto Rican. Fusing literary criticism, communication studies, and literary nonfiction within a writing studies framework, Trilogies argues for the inclusion in our writing of personal, institutional, and disciplinary perspectives. The book invites readers to re-imagine writing and communication styles. How can we envision and communicate the representations of between-world experiences that are all around us? What kinds of writing and communication styles can travel beyond our “bubbles,” engage General Education students, and gain a hearing in the public sphere?

"A masterful study of the intersection between Indigenous literature and social movements in the Americas"--Provided by publisher.

Literary Nonfiction. Latino/Latina Studies. Essays. Politics. Afterword by Gabriela Jauregui. PROFESSIONALS OF HOPE: THE SELECTED WRITINGS OF SUBCOMANDANTE MARCOS is an anthology by the prolific and brilliant former spokesperson and strategist for the Zapatistas, who countered the Mexican government's bloody attacks on indigenous people by staging an uprising in the name of "democracy, justice, and liberty" for all. And by "all," Marcos really means everyone, including identities that resist ready-made categories. These poetic letters, speeches, and folktales counter oppression by challenging governments that plunder their own people, and declare the basic desire to bestow dignity upon the indigenous people of Chiapas through grass-roots revolution. By no means exhaustive, this book is meant to introduce readers to a sliver of Marcos's output and provide context for a struggle that still exists in Mexico, and whose existence is mirrored wherever tyranny flourishes. "Yes, Marcos is gay. Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal, a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the subway at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains. Marcos is all the exploited, marginalised, oppressed minorities resisting and saying 'Enough.' He is every minority who is now beginning to speak, and every majority that must shut up and listen. He is every untolerated group searching for a way to speak. Everything that makes power and the good consciences of those in power uncomfortable--this is Marcos."--Subcomandante Marcos, from Social Justice E- Zine #27