From the refreshingly quirky to the humorous, poignant and erotic; from politics to philosophy to the playfully perverse, through sonnet forms, the villanelle and prose poems, Frank’s oeuvre is a treasure chest of nursed musings framed in verse. These are the measured scribblings of a person confronting an unfolding world as he assesses it with literary flair. In these poems there’s love, loss, birth, pique and reconciliation. There’re bawdy fancies and vexing ones. There’re pop culture ruminations, cultural allusions and emotional contusions. He’s got the whole whirlwind of feelings in his writer’s hand as he presents us with a smorgasbord of imagistic fruits. There are lords and swords and bawds in his vocabulary of interests, as well as quotidian encounters. We find a dialectic between a lump in his throat, as Frost has put it, and the written word. A very agreeable way to spend your spare afternoons.

Feed your soul with what it means to be real. Turn each page in premonition of the next, and let this poetry paralyse your senses, with farms, and sheep, and grass, and sounds that are all too familiar. Maybe we can uncover your heart and piece it back together with a few words and nouns. This poetic encore is for you, and you only.

This stunning collection gathers never-before-seen poems, found by archivists in boxes kept at the Pablo Neruda Foundation in Chile in 2014. Neruda is renowned for poetry that casts away despair and celebrates living, fired by his belief that there is no unsurmountable solitude. Then Come Back presents Neruda's mature imagination and writing: signature love poems, odes, anecdotes, and poems of the political imagination. Translator Forrest Gander beautifully renders the eros and heartache, deep wonder and complex wordplay of the original Spanish, which is presented here alongside full-colour reproductions of the poems in their original composition on napkins, playbills, receipts, and in notebooks. Then Come Back: The Lost Neruda simultaneously completes and advances the oeuvre of the Nobel Laureate. Discovered during the cataloguing of Neruda's papers, there are 21 poems in all, together with detailed notes about how they relate to his published work.

A powerful collection of poems about family and grief—by the Pulitzer Prize and T. S. Eliot Prize for Poetry winner, called "a poet for these times, a powerful woman who won’t back down" (San Francisco Chronicle). Sharon Olds completes her cycle of family poems in a book at once intense and harmonic, playful with language, and rich with a new self-awareness and sense of irony. The opening poem, with its sequence of fearsome images of war, serves as a prelude to poems of home in which humor, anger, and compassion sing together with lyric energy—sometimes comic, sometimes filled with a kind of unblinking forgiveness. These songs of joy and danger—public and private—illuminate one another. As the book unfolds, the portrait of the mother goes through a moving revisioning, leading us to a final series of elegies of hard-won mourning. One Secret Thing is charged throughout with Sharon Olds’s characteristic passion, imagination, and poetic power. The doctor on the phone was young, maybe on his first rotation in the emergency room. On the ancient boarding-school radio, in the attic hall, the announcer had given my boyfriend’s name as one of two brought to the hospital after the sunrise service, the egg-hunt, the crash—one of them critical, one of them dead. I was looking at the stairwell banisters, at their lathing, the necks and knobs like joints and bones, the varnish here thicker here thinner—I had said Which one of them died, and now the world was an ant’s world: the huge crumb of each second thrown, somehow, up onto my back, and the young, tired voice said my fresh love’s name. from “Easter 1960”

The bestselling author and newly minted octogenarian “demonstrates that old age can be a vibrant and liberating experience . . . fearless and triumphant” (Publishers Weekly). On the second day of her 80th year, May Sarton began a new journal. She wrote it because she wanted “to go on a little while longer;” to discover “what is really happening to me.” This triumphant sequel to Endgame—Sarton’s journal of her 79th year—is filled with the comforting minutiae of daily life, from gardening to planning dinners and floral arrangements to answering fan mail. The wonderful thing about getting older, Sarton writes, is “the freedom to be absurd, the freedom to forget things . . . the freedom to be eccentric.” Her other octogenarian pleasures include preparing for holidays and weddings, lunches with old friends and new admirers, the heady delight of critical recognition, and the rebirth of her lyric voice as she creates new poems. Yet Sarton knows that age can also bring pain and ill health, as well as a deepening awareness of the “perilousness of life on all sides, knowing that at any moment something frightful may happen.”

Read it!” —Jess Walter, New York Times bestselling author of Beautiful Ruins "[R]ollicking good fun.” —New York Times Book Review "A tour-de-force." —Laura Miller, Slate In a world beset by amassing forces of darkness, one organization—the Regional Office—and its coterie of super-powered female assassins protects the globe from annihilation. At its helm, the mysterious Oyemi and her oracles seek out new recruits and root out evil plots. Then a prophecy suggests that someone from inside might bring about its downfall. And now, the Regional Office is under attack. Recruited by a defector from within, Rose is a young assassin leading the attack, eager to stretch into her powers and prove herself on her first mission. Defending the Regional Office is Sarah—who may or may not have a mechanical arm—fiercely devoted to the organization that took her in as a young woman in the wake of her mother’s sudden disappearance. On the day that the Regional Office is attacked, Rose’s and Sarah’s stories will overlap, their lives will collide, and the world as they know it just might end. Weaving in a brilliantly conceived mythology, fantastical magical powers, teenage crushes, and kinetic fight scenes, The Regional Office Is Under Attack! is a seismically entertaining debut novel about revenge and allegiance and love.