This book offers a new paradigm for reading and appreciating animals in literature and addresses how human culture views animals in poetry. Part one sets up a theoretical overview and posits some aesthetic and ethical ideals for transposing animals into art, while part two presents a more focused practical application of these ideals in one strain of animal poetry (as seen in the works of Marianne Moore, José Emilio Pacheco, Gary Snyder, Pattiann Rogers and others). The poetry analyzed in the book is respectfully and non-invasively insightful into animals; it is tinged with a distancing, and a kind of spiritual awe, regarding their existence.

This book offers a new paradigm for reading and appreciating animals in literature and addresses how human culture views animals in poetry. Part one sets up a theoretical overview and posits some aesthetic and ethical ideals for transposing animals into art, while part two presents a more focused practical application of these ideals in one strain of animal poetry (as seen in the works of Marianne Moore, José Emilio Pacheco, Gary Snyder, Pattiann Rogers and others). The poetry analyzed in the book is respectfully and non-invasively insightful into animals; it is tinged with a distancing, and a kind of spiritual awe, regarding their existence.

Why do poets write about animals? What can poetry do for animals and what can animals do for poetry? In some cases, poetry inscribes meaning on animals, turning them into symbols or caricatures and bringing them into the confines of human culture. It also reveals and revels in the complexity of animals. Poetry, through its great variety and its inherently experimental nature, has embraced the multifaceted nature of animals to cross, blur, and reimagine the boundaries between human and animal. In Poetry and Animals, Onno Oerlemans explores a broad range of English-language poetry about animals from the Middle Ages to the contemporary world. He presents a taxonomy of kinds of animal poems, breaking down the categories and binary oppositions at the root of human thinking about animals. The book considers several different types of poetry: allegorical poems, poems about “the animal” broadly conceived, poems about species of animal, poems about individual animals or the animal as individual, and poems about hybrids and hybridity. Through careful readings of dozens of poems that reveal generous and often sympathetic approaches to recognizing and valuing animals’ difference and similarity, Oerlemans demonstrates how the forms and modes of poetry can sensitize us to the moral standing of animals and give us new ways to think through the problems of the human-animal divide.

In drawing together contributions from leading and emerging scholars from across the UK and America, Eco-Modernism offers a diverse range of environmental and ecological interpretations of modernist texts and illustrates that ecocriticism can offer fresh and provocative ways of understanding literary modernism.

There are millions of books written about animals, but only two books in the world written specifically for animals and the book Poetry for Animals is one of them.* Of course you may find that when you read these poems to an animal it will look surprised and uncomprehending, but this is not because the animal doesnt understand what you are saying. It is merely because no one has ever taken the trouble to read to it before, and it will only be a matter of time before the animal you are reading to will express its pleasure by purring in your lap, or cavorting gaily about its enclosure, or by gnawing on your skull, or by flying away never to be seen again. Focus-group studies have shown, however, that it is members of your species who tend actually to buy and read books of poems, thus this collection was written specifically with you in mind. * The other is Stories for Animals, available at fine bookstores and from woodland creatures everywhere. Recommended for Homo sapiens age 12+

Ballads is a collection of humorous and affectionate odes to various animals. William Hayley writes lovingly about a wide variety of animals, from man's best friend to ferocious and wild creatures such as elephants and lions. Excerpt: " Of all the speechless friends of man The faithful dog I deem Deserving from the human clan The tenderest esteem: This feeling creature formed to love, To watch, and to defend, Was given to man by powers above, A guardian, and a friend!"

Chosen alongside celebrated poets Louise Glück and Czeslaw Milosz, Bob Hicok's Animal Soul was the standout surprise of the 2002 National Book Critics Circle Award nominations. According to author David Wojahn, a three-time winner of the Pushcart Prize, this collection of poetry "is the best collection yet by a poet who has become one of the most individual and necessary voices of his generation. An almost prophetic rage seems to inhabit these poems, which present us with a speaker who is tender and brutally rueful by turns. Bob Hicok asks to be a voice of conscience in a conscience-less world. And, like all true prophets, his rage and consternation in the end transform themselves into a form of prayer, what one of his poems calls a 'mad . . . devotion.' Hicok is able to instruct and console us, and that is a very rare thing indeed."