Latin American Women Writers: An Encyclopedia presents the lives and critical works of over 170 women writers in Latin America between the sixteenth and twentieth centuries. This features thematic entries as well as biographies of female writers whose works were originally published in Spanish or Portuguese, and who have had an impact on literary, political, and social studies. Focusing on drama, poetry, and fiction, this work includes authors who have published at least three literary texts that have had a significant impact on Latin American literature and culture. Each entry is followed by extensive bibliographic references, including primary and secondary sources. Coverage consists of critical appreciation and analysis of the writers' works. Brief biographical data is included, but the main focus is on the meanings and contexts of the works as well as their cultural and political impact. In addition to author entries, other themes are explored, such as humor in contemporary Latin American fiction, lesbian literature in Latin America, magic, realism, or mother images in Latin American literature. The aim is to provide a unique, thorough, scholarly survey of women writers and their works in Latin America. This Encyclopedia will be of interest to both to the student of literature as well as to any reader interested in understanding more about Latin American culture, literature, and how women have represented gender and national issues throughout the centuries.

In Portuguese and English.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.

"Relembrando-A Velha Literatura de Cordel e a Voz dos Poetas" really contains three important studies on the "cordel": 1) the revision and translation of Curran's PhD dissertation from 1968; 2) the augmentation of one of the chapters of the dissertation, treating Brazil's best known and pioneering poet Leandro Gomes de Barros; 3) the publication of a now historic series of interviews with forty "cordel" poets and publishers in the late 1970s. Curran dedicates much time and energy to this endeavor because he believes the researches were little known in their original form, and more importantly, with the passage of time and the evolution of the "cordel" and Brazil in general, they now remain as historic documents in Brazil's national cultural history.