In the area of ballpark hopping, there have been a number of accounts written, recorded or talked about in recent times, sometimes for a cause or others just as a gimmick. Through Poet in the Grandstand, poet and writer Thomas Porky McDonald gives us a most unique twist on a preoccupation which has grown in the past few decades, in the wake of the closings of classic old yards and the birth of the more entertainment and nostalgia driven open-air parks. From his first trip in 1990, to the fabled Comiskey Park of Shoeless Joe Jackson, Bill Veeck and the Go-Go Sox, on through to the 2010 opening of Minnesotas fabulous Target Field, featuring the modern M&M Boys, Joe Mauer and Justin Mourneau, McDonald offers up a book that is part travelogue and part poetic tribute to all the places that men and women have gone to over the years for a very personal sense of joy. This journey, done methodically, over two decades, picks up steam as the chapters begin to flow. The effect of McDonald himself clearly growing as a poet through the years is accentuated by the fact that more and more pieces are written in the later trips. The end result is a most interesting volume of not just ballparks, but Americana, as numerous attractions taken in during those ballpark weeks and weekends are also noted and/or dissected. For fourteen seasons on his own and then six more accompanied by friend and confidant Adam Boneker, McDonalds travels, highlighted by over 300 poems, can take the reader back to a simpler time or into the possibilities of the future. In chapter and in verse, Poet in the Grandstand has something for both the baseball enthusiast and the curious traveler. Fans of the game and lovers of the road will each find much to offer within these pages.

After going to various states on the Major League landscape over 21 seasons, poet/writer Thomas Porky McDonald came upon the notion of continuing to tour the rest of the contiguous United States, using Minor League parks as a starting point. A pair of Western tours with his niece Jaclyn and her son Alex, as well as a stop in Graceland with his sister Patti, would be in the mix, with each stop bringing out more of McDonald’s signature poetry. Poet in the Parks is a sequel of sorts, as the earliest trips chronicled feature returns to Major League parks with his Poet in the Grandstand road partner, Adam Boneker, who later hits the Minors trail with McDonald, as well as a stop in New Orleans during the time of a World Pandemic. Ultimately, this second travel/poetry volume is merely a quest to savor the American landscape, no matter how many cities, states, parks and places of interest you pass through along the way.

A random poem, written on a birthday years before, finds a new life when a series of interrelated profiles come together in a most unexpected way. This is what constitutes A Walk in the City, writer/poet Thomas Porky McDonald's New York City travelogue. A compilation of pieces written originally for an internal website at his workplace in New York City transit, this volume shares brief, yet effective vignettes on a number of various sites in the city--some famous, and others hardly on the radar. It is dedicated to the average tourist and/or the lifetime New Yorker. McDonald's love of the place he's called home for his entire life comes across most vibrantly. Though the outer boroughs are touched upon transiently, this collection of go-to sketches and reminisces is centered mainly in Manhattan, which--as any New Yorker knows--is the place that all those who live in Brooklyn, Queens, the Bronx, and Staten Island call "The City." From the world famous sites, like the Empire State Building and Times Square to hidden jewels like the New York City Transit Museum, the Theodore Roosevelt Birthplace, or the New York City Fire Museum, A Walk in the City provides something for anyone seeking interesting pit stops in New York, whether planned ahead or merely in the course of a day already begun. The book is subtitled An Incomplete Tour since it is McDonald's contention that no one could truly put every point of interest in the city into a single volume. Here, an unencumbered collection of articles attempts to send the reader out in search of something that cannot be explained without actually having the experience of being there. In any case, this is a city wanderers' bonanza, one that should be considered by anyone who aspires to explore the diverse venues located in the greatest city in the world.

Lloyd Jones was seven years old the first time he climbed high into a grandstand to watch rugby with his father. The experience was baptismal. From his new elevated perspective Jones believed he could see everything that mattered – a field of play that rolled out, green with promise, from suburban New Zealand to the wider world. The grandstand is a guiding metaphor for these questing narrative poems that reach back into childhood and forward into the life of a writer constantly experimenting with form and voice. Jones writes of the wild secrets of boyhood – riding dogs, falling from trees, destroying the class ukuleles, learning to sail in small boats. He is alert to the airless small-town grievances that must inevitably be escaped. As an aspiring young writer Jones travelled widely, testing his identity against difference – places, people, politics and importantly, language. The more recent poems are a re-assembling of coordinates and a return to the local view. The grandstand has long been decommissioned – it's a housing estate now, but the poems are full of air and greenery. Dream spaces where language is forever in play.

The eighth five-book collection of poetry by poet and writer Thomas Porky McDonald, After the Dream: Poems 2009-2011, brings the author even closer to home than in his previous work, with a thought to where the world is headed. The title poems for each of the five books in the mix, Born in the City, The Class of No Return, Touched by Life, Back to Astoria and What Lies Ahead, all speak of a man still searching to incorporate his early life into the realities of the 21st Century. Other notable pieces from each collection include “Friendships to Eternity,” “Together One, as Always” (City), “While the Leaves Blew,” “Always too Old to Change Anything” (Class), “When the Game Simply Took You Away,” “I’ve Never Forgotten About Friendship” (Life), “Scenes From a Lost Neighborhood,” “When Fear Overrides Our Humanity” (Astoria), “Needed in the Land of the Needy” and “A Glimpse of Bernadine” (Ahead). A solid entry from the still wandering and wondering balladeer.

Those who have lived not just witnessed - the efflorescence of a pivotal culture moment never see the world through veiled eyes again. Jimmy Lyons was there, devising wholly original inventions of words and music while the Beats, the neo-folk troubadours, the post-bop jazz shooting stars, and the tie-dyed psychedelic rockers were scorching through the underbrush and opening new paths of creativity as alternatives to the increasingly bottom line-driven mainstream. Lyons, though, wasnt content to find a niche in one countercultural movement or another. He kept moving, observing, and writing new poems, stories, and songs. But he never gave up on the wry sophistication of the classic American popular song. Indeed, he has dedicated himself to infusing the same hallowed forms perfected by Irving Berlin, George and Ira Gershwin, Cole Porter, Harold Arlen, and others, with his singular fantasias of ingeniously colored and textured wordplay. These plays have a subtext only Lyons can provide, derived from what he calls the rituals of the road and the the circular rhythms of the race track, the beats and pulses of everyday American life that rarely raise a ripple on the surface of American culture. Lyons hears the screams and dreams of his countrymen and woman; from them he creates new modes of expression. He has been changed by each of his open-hearted an open-eared encounters, and this body of work is his way of making those changes sing and swing. Derk Richardson