As the anthology progresses, it delves into the historical narratives that have shaped the destinies of nations. Poems become a time machine, transporting readers to pivotal moments, revolutions, and the forging of national identities. The poets craft verses that illuminate the triumphs and struggles, capturing the spirit of resilience that characterizes the collective histories of countries. Cultural richness is a recurring theme in the anthology, with each poem offering glimpses into the traditions, customs, and artistic expressions that define a nation's cultural tapestry. The verses become windows into the soul of each country, showcasing the vibrant hues of festivals, the resonance of traditional music, and the visual poetry of indigenous art. Through these cultural narratives, readers gain a deeper understanding of the diverse ways in which countries express their uniqueness. The anthology also embraces human stories within countries, focusing on the people who contribute to the collective narrative. Poems become character sketches, capturing the spirit, aspirations, and challenges of individuals within the broader context of their national identities. Whether it's the bustling streets of Tokyo or the quiet villages of Ireland, the poets weave tales of human experience that transcend borders, fostering a sense of shared humanity.

A stunning new collection by one of Iraq’s brightest poetic voices The Iraqi Nights is the third collection by the acclaimed Iraqi poet Dunya Mikhail. Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where “every moment / something ordinary / will happen under the sun.” Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author’s vivid illustrations — inspired by Sumerian tablets — are threaded throughout this powerful book.

This book sets out to navigate questions of the future of Australian poetry. Deliberately designed as a dialogue between poets, each of the four clusters presented here—“Indigeneities”; “Political Landscapes”; “Space, Place, Materiality”; “Revising an Australian Mythos”—models how poetic communities in Australia continue to grow in alliance toward certain constellated ideas. Exploring the ethics of creative production in a place that continues to position capital over culture, property over community, each of the twenty essays in this anthology takes the subject of Australian poetry definitively beyond Eurocentrism and white privilege. By pushing back against nationalizing mythologies that have, over the last 200 years since colonization, not only narrativized the logic of instrumentalization but rendered our lands precarious, this book asserts new possibilities of creative responsiveness within the Australian sensorium.

Contains the first printing of Sartor resartus, as well as other works by Thomas Carlyle.