Poems of Puncture, the first book of poetry by Amanda McKittrick Ros, universally considered to be the best worst writer in the history of the English language, is here presented in its glorious entirety. Poems of Puncture contains many piercing verses spanning a broad range of themes, each clearly held great emotional importance to Amanda McKittrick Ros: a spa, her dog, her most beloved tree, and many poems devoted to people she didn't like, including "Largebones - The Lawyer" : Beneath me hear in stinking clumps, Lies Lawyer Largebones all in lumps ; A rotten mass of clockholed clay, Which grows more honeycombed each day. See how the rats have scratched his face ? Now so unlike the human race ; I very much regret I can't Assist them in their eager "bent." What the heck!?! Please Enjoy!

A first-person account of the Iraq War by a solider-poet, winner of the 2005 Beatrice Hawley Award. Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James’ own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner’s yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, unflinching description but, remarkably, leave the reader to draw conclusions or moral lessons. Here, Bullet is a must-read for anyone who cares about the war, regardless of political affiliation.

In her first full-length collection of poems, Object Permanence, Michelle Gil-Montero unveils the elusive debris of daily life in order to invoke, paradoxically, its impermanence. Her emotionally resonant lyric poems summon the liminal world of early motherhood, of early morning, of seasons in transition.

Contemporary American poetry has plenty to offer new readers, and plenty more for those who already follow it. Yet its difficulty—and sheer variety—leaves many readers puzzled or overwhelmed. The critic, scholar, and poet Stephanie Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, Burt canvasses American poetry of the past four decades, from the headline-making urgency of Claudia Rankine’s Citizen to the stark pathos of Louise Glück, the limitless energy of Juan Felipe Herrera, and the erotic provocations of D. A. Powell. The Poem Is You: Sixty Contemporary American Poems and How to Read Them is a guide to the diverse magnificences of American poetry today. It presents a wide range of poems selected by Burt for this volume, each accompanied by an original essay explaining how a given poem works, why it matters, and how the poem speaks to other parts of art and culture. Included here are some classroom classics (by Ashbery, Komunyakaa, Hass), less famous poems by very famous poets (Glück, Kay Ryan), and poems by prizewinning poets near the start of their careers (such as Brandon Som), and by others who are not—or not yet—well known. The Poem Is You will appeal to poets, teachers, and students, but it is intended especially for readers who want to learn more about contemporary American poetry but who have not known where or how to start. It describes what American poets have fashioned for one another, and what they can give us today.

Great Balls of Doubt gathers 96 of Mark Terrill's poems and prose poems from limited-edition chapbooks and broadsides (many now sold out or no longer in print) and from hard-to-find journals and magazines, as well as his recent, previously uncollected work. Lavishly illustrated with 25 drawings by Jon Langford, Great Balls of Doubt delivers images and sentiments ranging from the real to the surreal to the elegiac, with no shortage of humor along the way. "Doubt is an unpleasant condition," ­Voltaire once remarked, "but certainty is absurd."