This book traces the life of Giacomo Leopardi by examining four different yet interrelated aspects: his social origins and class in relation to his evolving conception of nobility; the mixture of idealism and misogynism in his attitude toward women and in his conception of love; his poems and prose on the theme of Italian independence; and his philosophical materialism as expressed in his poetry, intellectual diary, and essays. Frank Rosengarten pays particular attention to the ways in which the thought of Arthur Schopenhauer and Friedrich Nietzsche illuminates Leopardi’s world view. He also devotes a section of the book to the different personal, moral, and philological components of Leopardi’s humanism. Throughout, he maintains a sharp focus on the connections between Leopardi’s life and the historical period in which he lived. The major themes and human concerns expressed in Leopardi’s writings relate to his life experiences and to the historical period in which he lived. Of central interest are nobility and love, since Leopardi’s perception of these two themes evolved and changed as he acquired a more general and universal conception of life. This fascinating combination of classical and modern perspectives on life and literature is highlighted throughout the book.

Alongside his monumental Notebooks and the poems collected in Canti, which make him one of Italy's greatest and best-loved poets, Giacomo Leopardi penned a number of fictional pieces, mostly in the form of gently humorous dialogues, in which he dealt with philosophical ideas and many of the metaphysical questions that preoccupied his restless spirit.First published in 1827 and here presented in a new translation by J.G. Nichols along with Thoughts, Leopardi's own selected pearls of wisdom and gems of social observation, this volume will enchant both those who are familiar with and those who are new to the works of Italy's last great polymath.

"Giacomo Leopardi, Italy's great poet of the Romantic age, is the author of some of the most beautiful and best-loved poems in the Italian language and some of the most remarkable letters in European literature. The interest of the letters in both biographical and literary: they document the background - the difficult personal circumstances, the intense and troubled family relationships, the contacts and friendships with other writers - against which a haunting and compelling poetic voice came to maturity. The letters, not previously available in English except fragmentarily, are here offered in a new translation undertaken to celebrate the poet's birth in 1798. In the light of growing academic interest in Italy and the re-organization of many university courses in Italian along interdisciplinary lines, this book series brings together different scholarly perspectives on Italy and its culture. Italian Perspectives incorporates books and essay collections and is published under Maney's Northern University Press Imprint. It is notable for the breadth and diversity of themes covered, incorporating all aspects and periods of Italian literature, language, history, culture, politics, art and media, as well as studies which take an interdisciplinary approach and are methodologically innovative. The series welcomes books written in English and in Italian. The Italian Perspectives series is edited by two established scholars in the field of Italian studies, supported by an international Advisory Board."

A groundbreaking translation of the epic work of one of the great minds of the nineteenth century Giacomo Leopardi was the greatest Italian poet of the nineteenth century and was recognized by readers from Nietzsche to Beckett as one of the towering literary figures in Italian history. To many, he is the finest Italian poet after Dante. (Jonathan Galassi's translation of Leopardi's Canti was published by FSG in 2010.) He was also a prodigious scholar of classical literature and philosophy, and a voracious reader in numerous ancient and modern languages. For most of his writing career, he kept an immense notebook, known as the Zibaldone, or "hodge-podge," as Harold Bloom has called it, in which Leopardi put down his original, wide-ranging, radically modern responses to his reading. His comments about religion, philosophy, language, history, anthropology, astronomy, literature, poetry, and love are unprecedented in their brilliance and suggestiveness, and the Zibaldone, which was only published at the turn of the twentieth century, has been recognized as one of the foundational books of modern culture. Its 4,500-plus pages have never been fully translated into English until now, when a team under the auspices of Michael Caesar and Franco D'Intino of the Leopardi Centre in Birmingham, England, have spent years producing a lively, accurate version. This essential book will change our understanding of nineteenth-century culture. This is an extraordinary, epochal publication.

Envisioned in the form of a scrapbook, Ventrakl folds poetry, prose, biography, translation practices, and photographic imagery into an innovative collaboration with the 19th/early 20th century Austrian Expressionist poet Georg Trakl. Like Jack Spicer's After Lorca, translation is the central mode of composition in this book, and it is also the book's central theme, which Hawkey explores in a surprising array of different genres and modes of writing. What evolves is a candid and deeply felt portrait of two authors--one at the beginning of the 20th century, the other at the beginning of the 21st century, one living and one dead--wrestling with fundamental concerns: how we read texts and images, how we are influenced and authored by other writers, and how the practice of translation--including mistranslation--is a way to ornament and enrich the space between literature and life. "Ventrakl will speak resonantly to anyone who has fallen for the work of someonelong dead and wants desperately to reach out both to it and to its creator." --Laird Hunt, Bookforum