Contains an English translation of an anthology of poems from Moorish Spain of the tenth through the thirteenth centuries.

This is a compilation of poetry written by Arabic women poets from pre-Islamic times to the end of the Abbasid caliphate and Andalusia, and offers translations of over 200 poets together with literary commentary on the poets and their poetry. This critical anthology presents the poems of more than 200 Arabic women poets active from the 600s through the 1400s CE. It marks the first appearance in English translation for many of these poems. The volume includes biographical information about the poets, as well as an analysis of the development of women’s poetry in classical Arabic literature that places the women and the poems within their cultural context. The book fills a noticeable void in modern English-language scholarship on Arabic women, and has important implications for the fields of world and Arabic literature as well as gender and women’s studies. The book will be a fascinating and vital text for students and researchers in the fields of Gender Studies and Middle Eastern studies, as well as scholars and students of translation studies, comparative literature, literary theory, gender studies, Arabic literature, and culture and classics.

This book discusses the development of Hebrew poetry in Andalusia, as well as the Arab influence on Hebrew in this region. It also considers the motifs that made their way from Arabic poetry to Hebrew poetry, and the influence of the poet’s mood on their poetry. The book reveals to the reader things that shatter existing myths around Andalusia during the period of Muslim rule.

This stunning collection of poems opens up an entire world: the rich, virile, and highly literate Moslem culture of medieval Spain. This pioneering volume spans the full range of poetic emotion and enterprise, making this lost world of a millennium ago marvellously tangible, vivid and palpable. It pays special attention to the female poets, and to the evolution and meaning of the verse structures and songforms. This is a work of scholarly importance as well as a straightforward poetic pleasure.

This work deals extensively with the Arabic themes and literary devices used by Hebrew Andalusian poets in 11th century Muslim (and Christian) Spain. Special interest is devoted to the four main poets of the Hebrew Golden Age in Spain, namely Samuel Ha-Nagid, Solomon Ibn Gabirol, Moses Ibn Ezra and Yehuda Ha-Lewi.