With neither friends nor family, Lucy Snowe sets sail from England to find employment in a girls' boarding school in the small town of Villette. There she struggles to retain her self-possession in the face of unruly pupils, an initially suspicious headmaster, and her own complex feelings, first for the school's English doctor and then for the dictatorial professor, Paul Emmanuel. Charlotte Brontë's last and most autobiographical novel is a powerfully moving study of isolation and the pain of unrequited love, narrated by a heroine determined to preserve an independent spirit in the face of adverse circumstances.

Poems by Currer, Ellis, and Acton Bell was a volume of poetry published jointly by the three Brontë sisters, Charlotte, Emily and Anne in 1846 (see 1846 in poetry), and their first work to ever go in print. To evade contemporary prejudice against female writers, the Brontë sisters adopted androgynous first names. All three retained the first letter of their first names: Charlotte became Currer Bell, Anne became Acton Bell, and Emily became Ellis Bell. The book was printed by Aylott and Jones, from London. The first edition failed to attract interest, with only two copies being sold. However, the sisters decided to continue writing for publication and began work on their first novels, which became commercial successes. Following the success of Charlotte's Jane Eyre in 1848, and after the deaths of Emily and Anne, the second edition of this book (printed in 1850 by Smith & Elder) fared much better, with Charlotte's additions of previously unpublished poetry by her two late sisters. It is believed that there are fewer than ten copies in existence with the Aylott and Jones title-page.

I've quench'd my lamp, I struck it in that start Which every limb convulsed, I heard it fall- The crash blent with my sleep, I saw depart Its light, even as I woke, on yonder wall; Over against my bed, there shone a gleam Strange, faint, and mingling also with my dream. It sank, and I am wrapt in utter gloom; How far is night advanced, and when will day Retinge the dusk and livid air with bloom, And fill this void with warm, creative ray? Would I could sleep again till, clear and red, Morning shall on the mountain-tops be spread! I'd call my women, but to break their sleep, Because my own is broken, were unjust; They've wrought all day, and well-earn'd slumbers steep Their labours in forgetfulness, I trust; Let me my feverish watch with patience bear, Thankful that none with me its sufferings share. Yet, oh, for light! one ray would tranquillize My nerves, my pulses, more than effort can; I'll draw my curtain and consult the skies: These trembling stars at dead of night look wan, Wild, restless, strange, yet cannot be more drear Than this my couch, shared by a nameless fear. All black-one great cloud, drawn from east to west, Conceals the heavens, but there are lights below; Torches burn in Jerusalem, and cast On yonder stony mount a lurid glow. I see men station'd there, and gleaming spears; A sound, too, from afar, invades my ears. Dull, measured strokes of axe and hammer ring From street to street, not loud, but through the night Distinctly heard-and some strange spectral thing Is now uprear'd-and, fix'd against the light Of the pale lamps, defined upon that sky, It stands up like a column, straight and high. I see it all-I know the dusky sign- A cross on Calvary, which Jews uprear While Romans watch; and when the dawn shall shine Pilate, to judge the victim, will appear- Pass sentence-yield Him up to crucify; And on that cross the spotless Christ must die.