SON MONÓLOGOS CON TEMAS TRISTES, DE POBREZA Y DOLOR. ESCRITOS SOBRE LA REALIDAD DEL MUNDO Y LA DIFERENCIA ENTRE RICOS Y POBRES.

Venial Poems / Mortal Life places a collection of poems under a reference to the categorization of sin and life in a theological vein and a life presented in a human sense. The poems written across a multicultural and multilingual experience of 46 years gather life in richness of color and light with strong evocative strokes. The content is not restricted to language or culture. Presented in Spanish and English the collection seeks to bridge communication of life experience and perceptions with a style rich in fast strokes reminiscent of impressionism with an underlining of mordacity and irony in an apt response to shifting realities.

Este volumen ofrece el primer estudio monogr©Łfico sobre uno de los poetas m©Łs citados y peor conocidos del barroco espa©łol: Francisco de Borja, pr©Ưncipe de Esquilache. Sus Obras en verso, publicadas por primera vez en 1648, constituyen uno de los proyectos laureados m©Łs elaborados y conscientes de la primera mitad del XVII. No s©đlo se trata de uno de los pocos cancioneros barrocos espa©łoles curados y editados por su propio autor, sino tambi©♭n del primer volumen de poes©Ưa dado a la imprenta por un miembro de la alta aristocracia castellana. En ©♭l, y desde la distancia de los a©łos y la poes©Ưa, el pr©Ưncipe de Esquilache recrea e instrumentaliza su estrecha relaci©đn con desos miembros de la rep©ðblica barroca de las letras [desde Lope de Vega a los Argensola o los condes de Lemos], individualiza su posici©đn con respecto a la pol©♭mica gongorina, a la vez que justifica sus a©łos de servicio pol©Ưtico a la corona o su derecho leg©Ưtimo al t©Ưtulo de Grande.Desde una perspectiva socioliteraria, este estudio propone la recuperaci©đn de las Obras de Esquilache como pieza clave para la comprensi©đn del papel del amateurismo aristocr©Łtico en la formaci©đn del campo literario barroco espa©łol. JAVIER JIM©́"-œNEZ BELMONTE es profesor adjunto en la Universidad de Fordham.

This edited book contributes to the growing field of self-translation studies by exploring the diversity of roles the practice has in Spanish-speaking contexts of production on both sides of the Atlantic. Part I surveys the presence of self-translation in contemporary Indigenous literatures in Spanish America, with a focus on Mexico and the Mapuche poetry of Chile and Argentina. Part II proposes to incorporate self-translation into the history of Spanish-American literatures- including its relation with colonial multilingual-translation practices, the transfers it allowed between the French and Spanish-American avant-gardes, and the insertion it offered for exiled Republicans in Mexico. Part III develops new reflections on the Iberian realm: on the choice between self and allograph translation Basque writers must face, a new category in Xosé Dasilva’s typology, based on the Galician context, and the need to expand the analysis of directionality in Catalan self-translations. This book brings together contributions from some of the leading international experts in translation and self-translation, and it will be of interest to scholars and students in the fields of Translation Studies, Cultural Studies, Comparative Literature, Spanish Literature, Spanish American and Latin American Literature, and Amerindian Literatures.

Selección de aproximadamente cincuenta cuentos de autores nórdicos de nuestro siglo, traducidos por especialistas de cada uno de los cinco países. Una breve introducción presenta a cada cultura, representada por un cuento de cada uno de los autores más significativos del siglo XX.

A cursed book. A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto has a fascination with nineteenth-century scientists—especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere—a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination? With The End of Mr. Y, Scarlett Thomas brings us another fast-paced mix of popular culture, love, mystery, and irresistible philosophical adventure.