In the middle of the journey of our life Dante finds himself lost in a dark wood but then he founds a whole lot of literary movements and arguably modernity itself with his Divine Comedy that, nonetheless, inexplicably, didn't make God laugh. This serious absence caused God's non-divine counterparts, humans, to wonder: "Why are we in hell?" "Why is it so funny?" "And why can't I laugh?"

Those who know Lewis's work will enjoy Martindale's thorough examination of the powerful images of Heaven and Hell found in Lewis's fiction, and all readers can appreciate Martindale's scholarly yet accessible tone. Read this book, and you will see afresh the wonder of what lies beyond the Shadowlands.

Join Chris Martin for a poetic walking tour of hell—or is it heaven? In this wickedly clever collection, Martin asks how we go about living in the tension between protesting lunatic politicians and picking up the kids from school, mourning a dying Earth and making soup, combating white supremacy and loving our dear ones. Martin’s poems pick at the tender scabs protecting our national and individual identities, and call for more honest healing. Things to Do in Hell channels 2016 anger into 2020 action with sophisticated, rhythmic verse that compels us to beat our swords into ploughshares and join the fight.

A New York Times bestseller people can believe in—by "a pioneer of the new urban Christians" (Christianity Today) and the "C.S. Lewis for the 21st century" (Newsweek). Timothy Keller, the founding pastor of Redeemer Presbyterian Church in New York City, addresses the frequent doubts that skeptics, and even ardent believers, have about religion. Using literature, philosophy, real-life conversations, and potent reasoning, Keller explains how the belief in a Christian God is, in fact, a sound and rational one. To true believers he offers a solid platform on which to stand their ground against the backlash to religion created by the Age of Skepticism. And to skeptics, atheists, and agnostics, he provides a challenging argument for pursuing the reason for God.

Based on a reading of contemporary philosophical arguments, this book accounts for how punishment has provided audiences with pleasure in different historical contexts. Watching tragedies, contemplating hell, attending executions, or imagining prisons have generated pleasure, according to contemporary observers, in ancient Greece, in medieval Catholic Europe, in the early-modern absolutist states, and in the post-1968 Western world. The pleasure was often judged morally problematic, and raised questions about which desires were satisfied, and what the enjoyment was like. This book offers a research synthesis that ties together existing work on the pleasure of punishment. It considers how the shared joys of punishment gradually disappeared from the public view at a precise historic conjuncture, and explores whether arguments about the carnivalesque character of cruelty can provide support for the continued existence of penal pleasure. Towards the end of this book, the reader will discover, if willing to go along and follow desire to places which are full of pain and suffering, that deeply entwined with the desire for punishment, there is also the desire for social justice. An accessible and compelling read, this book will appeal to students and scholars of criminology, sociology, philosophy and all those interested in the pleasures of punishment.

Randy Klassen studies every significant reference to hell in the Bible, seeking an interpretation that both takes the Bible seriously as the very Word of God and harmonizes with the character of the God and "Abba" revealed through Jesus Christ.

If God is truly merciful and loving, perfect in goodness, how can he consign human beings created in his own image to eternal torment in hell? God's goodness seems incompatible with inflicting horrible evil upon those who oppose his will and defy his law. If to this paradox we add the metaphysical requirement that God be perfect in goodness, the eternal evil of hell seems to be contradictory to God's own nature. Catholic philosopher Adrian Reimers takes on these challenges in Hell and the Mercy of God, drawing on relevant sources from Aristotle to Aquinas, from Dante to Tolkien, from Wagner to John Paul II, along with Billie Holliday, The Godfather, and the music of George Gershwin. He presents a philosophical theology, grounded in Scripture, of the nature of goodness and evil, exploring various types of pain, the seven capital sins, the resurrection of the body, the meaning of mammon, the core meaning of idolatry, the psychology of Satan and those who choose his path, and the moral responsibility of the human person. Catholic philosopher Adrian Reimers takes on these challenges in Hell and the Mercy of God, drawing on relevant sources from Aristotle to Aquinas, from Dante to Tolkien, from Wagner to John Paul II, along with Billie Holliday, The Godfather, and the music of George Gershwin. He presents a philosophical theology, grounded in Scripture, of the nature of goodness and evil, exploring various types of pain, the seven capital sins, the resurrection of the body, the meaning of mammon, the core meaning of idolatry, the psychology of Satan and those who choose his path, and the moral responsibility of the human person. -- Provided by publisher.