"Men cannot laugh heartily without showing their teeth," quipped Samuel Butler. From St Paul to Descartes to Adorno, scholars and writers have questioned the ethics of laughter - any laughter. In The Pleasure of Fools, Jure Gantar wrestles with our moral right to laugh and the limitations of contemporary critical approaches.The crucial question is not whether or not there is offensive laughter but whether or not all laughter offends. Almost everyone has felt the bitter stab of malicious laughter and knows that laughter can be cruel, but it is more difficult to decide if there is also laughter that can never insult. Through a reading of Aristophanes, Rabelais, Molière, Fielding, and Rostand, Victorian nonsense poetry, and the philosophical texts of Plato, Dante, and More, Gantar explores the reasons for critics' prejudice against comedy, the specific position of laughter in various utopian societies, and self-deprecating laughter and role of the comedian as its primary producer. His conclusions contradict basic postmodern thought and contribute to current debates on the epistemological nature of criticism.

Explores the author's theorized evolutionary basis for self-deception, which he says is tied to group conflict, courtship, neurophysiology, and immunology, but can be negated by awareness of it and its results.

This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (1895-1975) examines popular humor and folk culture in the Middle Ages and the Renaissance. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

Bella, an Italian from New Jersey whose family moved to Texas, must battle her feelings for a deejay and learn how to run the family's wedding planning business after she books a country and western theme wedding.

The role of the fool is to provoke the powerful to question their convictions, preferably while avoiding a beating. Fools accomplish this not by hectoring their audience, but by broaching sensitive topics indirectly, often disguising their message in a joke or a tale. Writers and thinkers throughout history have adopted the fool’s approach, and here Ralph Lerner turns to six of them—Thomas More, Francis Bacon, Robert Burton, Pierre Bayle, Benjamin Franklin, and Edward Gibbon—to elucidate the strategies these men employed to persuade the heedless, the zealous, and the overly confident to pause and reconsider. As Playing the Fool makes plain, all these men lived through periods marked by fanaticism, particularly with regard to religion and its relation to the state. In such a troubled context, advocating on behalf of skepticism and against tyranny could easily lead to censure, or even, as in More’s case, execution. And so, Lerner reveals, these serious thinkers relied on humor to move their readers toward a more reasoned understanding of the world and our place in it. At once erudite and entertaining, Playing the Fool is an eloquently thought-provoking look at the lives and writings of these masterly authors.

William Hazlitt's tough, combative writings on subjects ranging from slavery to the imagination, boxing matches to the monarchy, established him as one of the greatest radicals of his age and have inspired journalists and political satirists ever since.

Campus security found the body of Canfield Adams early on Sunday morning, seven stories below the open window of his office. To the police there is one easy assumption, but anyone who knew Canfield knows he would never have jumped. University officials ask literature Professor and amateur sleuth Kate Fanslar to investigate the death of their precious professor, and she find a myriad of people, both on and off campus, who could have pushed him. However, Kate suspects the university has an ulterior motive . . . . . . and she herself is not sure she wants to succeed, for the murderer may be someone she cares about, a student, a colleague, a friend? Taking its name from a Rudyard Kipling poem and littered with his verses throughout, A Trap for Fools is a novel about overcoming adversity, one of Amanda Cross' latest and best mysteries. 'If by some cruel oversight you haven't discovered Amanda Cross, you have an uncommon pleasure in store for you' New York Times Book Review