American bachelor Miles Drummond, living in Cuernavaca, Mexico, and running out of money, half-heartedly places an ad in a few US newspapers announcing a summer art workshop. Much to his surprise, thirteen students write for details, and arrive in Cuernavaca a few weeks later. The hotel Miles has rented is crumbling. The VW bus he borrowed is a disaster. The two instructors he hired hate each other on sight. But the students - young and old, single and married, rich and poor - aren't simply looking for an education. Some are fleeing private anguish. Others are seeking romance. All will find more adventure than they ever dreamed possible.

When a teacher leaves a blank book in the Writer’s Corner for her students to find, with the instructions "Please Write in this Book," she hopes it will encourage her students to talk to one another in its pages. They do, and the result is an epic classroom battle.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

Winner of the 2021 Edgar Award for Best First Novel In this “beautifully written, thoughtful page-turner” (Chloe Benjamin, New York Times bestselling author of The Immortalists) from “the next big voice in crime fiction” (Susan Scarf Merrell, author of Shirley), two young women become unlikely friends during one fateful summer in Atlantic City as mysterious disappearances hit dangerously close to home. Summer has come to Atlantic City but the boardwalk is empty of tourists, the casino lights have dimmed, and two Jane Does are laid out in the marshland behind the Sunset Motel, just west of town. Only one person even knows they’re there. Meanwhile, Clara, a young boardwalk psychic, struggles to attract clients for the tarot readings that pay her rent. When she begins to experience very real and disturbing visions, she suspects they could be related to the recent cases of women gone missing in town. When Clara meets Lily, an ex-Soho art gallery girl who is working at a desolate casino spa and reeling from a personal tragedy, she thinks Lily may be able to help her. But Lily has her own demons to face. If they can put the pieces together in time, they may save another lost girl—so long as their efforts don’t attract perilous attention first. “You won’t be able to stop turning the pages of this heartbreaking” (Publishers Weekly, starred review) and compelling psychological thriller that explores the intersection of womanhood, power, and violence.

The Snowflake Method-ten battle-tested steps that jump-start your creativity and help you quickly map out your story.