Iowa-born Jock Mahoney was an elite athlete and U.S. Marines fighter pilot prior to falling into a film career. He is widely considered to be one of the greatest stuntmen in movie history, having taken leaps and bounds for Errol Flynn, John Wayne, Randolph Scott, and Gregory Peck. One of the first stuntmen to successfully move into acting, he was the popular star of the 1950s television westerns Range Rider and Yancy Derringer and twice played Tarzan on the big screen, presenting a memorable portrayal of an educated, articulate and mature jungle lord true to author Edgar Rice Burroughs' original vision. Filming in real jungles around the world took a physical toll on Mahoney that transformed him from leading man to burly character actor. He had to overcome the effects of a stroke but true to his tough guy nature rose above it to resume his life's many adventures. Mahoney was beloved by fans at conventions and appearances until his untimely demise in 1989 from a stroke-caused motor vehicle accident.

The Hollywood studios of the 1930s, '40s, and '50s were rarely concerned with film as an art form; this was especially true of those specializing in the B film. Of these, Republic Pictures Corporation was the finest. Their quality B action pictures and serials influenced the industry and the moviegoing public, resulting in greater public acceptance. The Republic's roster of talent included John Wayne, Roy Rogers, and Gene Autry, and the serials it produced featured such iconic figures as Dick Tracy, Captain America, Zorro, and The Lone Ranger. In Republic Studios: Between Poverty Row and the Majors, author Richard Hurst documents the influence and significance of this major B studio. Originally published in 1979, this book provides a brief overview of the studio's economic structure and charts its output. Hurst examines the various genres represented by the studio, including the comedies of Judy Canova and westerns featuring Autry, Rogers, and The Three Mesquiteers. The book addresses the non-series B films Republic produced, as well as rare A films such as Wake of the Red Witch, Sands of Iwo Jima, and John Ford's The Quiet Man, all of which starred John Wayne. This new edition of Republic Studios, with two additional expanded chapters on serials, a new introduction, and an epilogue, brings the Republic story up to date. This fascinating look at Republic chronicles the impact the studio had on American cultural history from the mid-1940s to the mid-1950s and examines the studio's role in Hollywood history and its demise in the late '50s.

Academy Award--winning director Michael Curtiz (1886--1962) -- whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942), Mildred Pierce (1945) and White Christmas (1954) -- was in many ways the anti-auteur. During his unprecedented twenty-seven year tenure at Warner Bros., he directed swashbuckling adventures, westerns, musicals, war epics, romances, historical dramas, horror films, tearjerkers, melodramas, comedies, and film noir masterpieces. The director's staggering output of 180 films surpasses that of the legendary John Ford and exceeds the combined total of films directed by George Cukor, Victor Fleming, and Howard Hawks. In the first biography of this colorful, instinctual artist, Alan K. Rode illuminates the life and work of one of the film industry's most complex figures. He begins by exploring the director's early life and career in his native Hungary, revealing how Curtiz shaped the earliest days of silent cinema in Europe as he acted in, produced, and directed scores of films before immigrating to the United States in 1926. In Hollywood, Curtiz earned a reputation for his explosive tantrums, his difficulty communicating in English, and his disregard for the well-being of others. However, few directors elicited more memorable portrayals from their casts, and ten different actors delivered Oscar-nominated performances under his direction. In addition to his study of the director's remarkable legacy, Rode investigates Curtiz's dramatic personal life, discussing his enduring creative partnership with his wife, screenwriter Bess Meredyth, as well as his numerous affairs and children born of his extramarital relationships. This meticulously researched biography provides a nuanced understanding of one of the most talented filmmakers of Hollywood's golden age.

A life travel with 305 poems, from the abused child to the old man waiting for God's final call, with some tears and some laughs, with dreams and nightmares, but not less, with the sincerity of a poet telling you how it was, how he wished it to be and the scars collected in the long journey. (This time, smiles were included)

Tarzan's Quest - Edgar Rice Burroughs - Tarzan's wife Jane (her first appearance since Tarzan and the Ant Men and also her last as a major character in the series), becomes involved in a search for a bloodthirsty lost tribe reputed to possess an immortality drug. Also drawn in are Tarzan and his monkey companion, little Nkima, and Chief Muviro and his faithful Waziri warriors, who are searching for Muviro's lost daughter Buira. Nkima's vital contribution to the adventure is recognised when he is made a recipient of the immortality treatment along with the human protagonists at the end of the novel.

It would seem that the end of every war has been followed in the United States by social and moral changes, mostly for the worse. Zane Grey certainly felt that way about the effects of the Great War, and to show these changes and how to cope with them became the impulse behind what he called The Water Hole. However, before magazine publication, changes were made in his text, including the names of all the characters. Fortunately Grey's original handwritten manuscript has survived, so now this story can be told with his characters named and presented as he intended them to be. In 1925 widowed businessman Elijah Winters brings his daughter, Cherry, from Long Island to stay at a trading post in a remote area some distance from Flagstaff, Arizona. Removed from the country clubs and speakeasies, Cherry is at first bored with simple ranch life, and to entertain herself she flirts with several of the cowboys, not realizing they are very different from the young men she knew back east. Also very different is Stephen Heftral, a young archaeologist who is searching for an ancient and lost kiva of a primitive Indian tribe that disappeared centuries before in what became the land of the Navajos. Heftral believes that this lost kiva is most probably in a desert fastness called Beckyshibeta, the Navajo word for water hole. Elijah colludes with Heftral to awaken Cherry to a new and healthier way of life by taking her, by force if necessary, to the site. Cherry resents being kidnapped but comes to forget the luxury of her past in the beauty and dangers of the canyons—and in the thrill of making an important archaeological discovery.